“Tele Piece #1” is the title finally settled on for the first of a planned series of short pieces played on the Telecaster Squier guitar.
Squier not to be confused with Squire, as in Chaucer’s “The Squire’s Tale.” I considered titling the piece “The Squire’s Tele.” Chaucer’s tale for the squire is characterized by a bit of rambling, seemingly planned for a long piece, if planned at all, but interrupted by the Franklin, who might be in terms of social class considered subservient to the up and coming squire. And the Telecaster Squier guitar is often considered subordinant to the Fender American made Telecaster. Fender acquired the name Squier when it bought the Squier brand, a family name, in 1965. The V. C. Squier Company out of Battle Creek, Michigan began in 1890 and made strings for violins, banjos, and guitars.
But the early Telecaster Squier is now considered a classic in its own right. In short, it’s a good guitar. Close to 20 years ago now, I was playing my Tele on Thursday evenings at a local wine bar, which closed almost as soon as it opened, victim of The Great Recession. I wasn’t up front or on a stage. I set up with a small room amp (Crate GFX-15) in a corner and played background instrumental pieces, mostly impromptu and rambling, or taking off on standards and going often I wasn’t sure where. Anyway, one night a family of four with some time to spend before their movie started across the street stopped in for a drink. They seemed inordinately interested in what I was doing. Most patrons just ignored me. Then the son, in his twenties, came over to chat. He and his father played guitar, and from where they were sitting he said they couldn’t tell if I was playing what he called a real Telecaster or a Squier.
One of the first guitars out of the new Fender factory opened in Japan in 1982, this one is fitted with aftermarket Dean Markley and Seymour Duncan pickups, and it’s strung with D’Addario ECG24 XL Chromes Flatwound Electric Guitar Strings .011-.050 Jazz Light.
The amplifier used in “Tele Piece #1” is a Fender Champion 20, with the Voice knob set to 02 Tweed Deluxe, and the FX knob set to 03 Reverb Hall. This combination gives a bit of mild amped style without too much distortion or fancy effects taking over. Filmed with a cell phone leaning against the bottom of the amplifier.