Those who travel back and forth through time, to and fro, up and down, in and out, with the tides, over and under the swells, stopping now and then to visit. They were here, now they’re gone, return to sender. Sisters, first, then brothers, then ten of us, thoughts like tinnitus that echo like a whiffle ball others can’t hear, sounds won’t leave us alone, to night us, all ten nights of us, Knights of Tinnitus, while these guitars gently sleep, and surfboards drift. A banjo plays brightly, its tabor head a full blue moon, up on the beach. So it goes.
But how does it go?
Ah, but ask the winged burds!
We look before and after,
And pine for what is not:
Our sincerest laughter
With some pain is fraught;
Our sweetest songs are those that tell of saddest thought.
But what did they bring along, if not knotty pine – oak or peonies?
They brought along their come-a-longs, and along the river they walked, while in the wet reeds the wee birds nested and rested. There were peonies and pizza aplenty.
And along the river, did they sing songs?
Of chords they sang songs, serious songs, silly songs, songs of love and despair. Cover songs and under cover songs. Songs with no words.
What songs did they sing?
So it goes, so it goes. They sang so it goes.
But where did it go?
I don’t know. “While we look not at the things which are seen, but at the things which are not seen: for the things which are seen are temporal; but the things which are not seen are eternal.”
And what did they take back?
Don’t look back, but they took back a weighty tome, a mighty book, a reference book, a history book, a look into our times, past times, out of time, a book of songs.
And did they play it as surfers or hodads?
They played it both dolce or metalico, as the moon prevailed.
Why did they leave so soon?
“Blue moon of Kentucky, keep on shinin’. Shine on the one that’s gone and said, ‘Goodbye.’” So it goes.
So it went?
So it goes.
