| Methamorphosis | Roger awoke from nagging dreams | |
| to find he’d grown into a whopper, | a hairy human swarmed in vermin. | |
| “Don’t break bad on me,” his mother | yelled at the door. “Bugs don’t dream, | asleep or awake. You’re late for work.” |
| But he hardly knew how to work his new | legs and arms. How would he get about | |
| on so few? His hands and fingers he found | fascinating, and he lay in bed studying | |
| their shapes and twists and movement. | His father banged on the door: “Get up!” | |
| He felt his skin – soft! His two eyes saw | only one thing at a time, yet he knew | his skin was covered with insects so |
| various how or where was he to begin | eating breakfast? Even the hands (but | |
| he was not quite sure why he called | them hands) on the clock moved like | |
| the arms of a slow moving cockroach, | around and around and up and down. | |
| What seemed absurdly a bad eternity, | (after all why would time break bad?) | three roaches slipped under the rug. |
| Roger watched the roaches dissipate, | his body wasted with bedsores, as if | |
| he’d come to the roundabout of a pier. | The Viral | |
| Dude J. had few followers and those | probably bots, and he rarely if ever | |
| tweeted, so when the POG knocked | on his door to ask about something | |
| gone viral, Dude assumed some hack | had infiltrated his computer system, | spreading multi-vile messages about |
| him with perhaps a pic in his briefs. | Dude’s habits were simple and hardly | |
| worth the effort of tweets, of looking | words up in a dictionary, as if a dog’s | wag in a side street was any different |
| in Tijuana than in Timbuktu or Paris, | Texas, where Dude had often visited, | |
| enjoying an escargot with a Beaujolais, | taking in jazz in the Business Quarter. | |
| None of this of course reached home, | and Dude’s annual review relied solely | on ratios of quotas to sales, of clicks |
| that stuck to worrisome dead links. | The Condo | |
| Outside beneath the colossal condo | K. camped with the peasants just in | |
| from working the streets with their | signs but he was in no mood for noir | |
| poetry. He curled up on the margin | of a broad sidewalk away from the | bird stoppers placed all around the |
| condo and out of earshot from the | sounds also designed to discourage | |
| one from coming too close because | the spacious steel walls were warm | to the touch like a rubber hot water |
| bottle his mother used to sleep with | after his father left them in the cold | |
| house to go work a shift in the town | factory owned by the rich Mr. Rook. | |
| In the morning there was hot coffee | and a young woman recruiting men | to join her crew of window washers |
| and dressed and harnessed K. arose. |
Kafka Blocs
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