A hermit crab leaves
home for a new dig
again and again gig
after gig sea busker.
From her mitt he falls
web of empty shell
on the beach combs
a low tide husker.
In a shell in a cave
floor of the sea
hermetically rich
rarely distressed he.

A Notebook – Since 2007
A hermit crab leaves
home for a new dig
again and again gig
after gig sea busker.
From her mitt he falls
web of empty shell
on the beach combs
a low tide husker.
In a shell in a cave
floor of the sea
hermetically rich
rarely distressed he.

You say too much
too much you lose
the way and the
universe seems
too much for you.
Not to make too much
of this to make much
of time, of hot,
of cold, like a year
in Chicago.
Say you see
her eyes move
like stars way
too slow and too
much of nothing.

Honey,
I’ve looked everywhere
for the lost words
telling your love for me
in the kitchen compost bin
in the basement of my heart
in the attic of my ass (what
a Fantastic Voyage that was!)
through the crawl space
between my breasts
in the curls of my hair
in the fishnets between my legs
between my toes and under my nails
Alas! nowhere to be found,
she said, subtle armpits open
to the heat of the night
Baby, she went on,
I can’t love you if I can’t
find the right words of love
come back tomorrow or next week
I’ve got the College Dictionary
here and the Bible
and a stack of noir paperbacks
I’ll find your words of love
if it’s the last thing I do
Up my nose, under my eyelids
around and around my ears
maybe stuck in earwax I’m thinking
his words of love where could they be
could someone have stolen them
who would want them
someone else’s words
could they be buried
in the cushions of the couch
lost in the halo of my navel
tangled in the curlers tossed
across my dresser in the old
35 millimeter slide box
in the china cabinet in the corner
(which has not been opened
over a decade of Thanksgivings)
in the medicine chest upstairs
in the hall closet
in the glove box of the Buick
under the rug
in the dirty clothes hamper
Maybe, Sweetie, you told them
too slant, or to another
words of love must be true
if they are to come back to you.

…picking up somewhere we left off…
The past is not enough to live on
to make ends meet.
what test passed avoids stays
to wheedle this incessant urge
past the tinnitus still sings proof
below like wave bounce go easy
under the sheer cliff and around
the mossy point to the bay
where the dolphins play
but the past is not enough to live on
you say and you say things like
anyway the sea is calm tonight
and you need to calm down
and relax we are past all that
pother the rigmarole accoutrements
impedimenta odds and ends
ins and outs no you need
to cool off i’m sorry if you are
disappointed but you see
how tranquil this palaver
becomes us as we unbend
and are made drowsy
not dreary but like
drizzle after a wave breaks.

, and the Doodles on the radio
just before the power grids out
sing of the last rhino ringed.
The past is not enough to live on
to make ends meet.
The colony runs consistent lanes
running in opposite directions
like lines of ancient text
the queen home her future
near but never quite here.

Let’s make our planet good again
think pigeons their T Rex origin.
Oh wings of flesh and steel to fly
you must first grow feathers.
What cares the sloth slug squished
by dino or sprayed with Ortho?
As for Anthro won’t he be petrified
up to his waste in his own coprolite?
Rid us our original sins
let us be innocent again.
Imagine no water no fire no air
worse called in sick your au pair.
Earth responds ever was I a grand hotel
now is checkout time fare-thee-well.

I was walking in Mt Tabor Park the other day, on a path rarely taken, steep on the south side, affording views of the college campus, its low buildings in the shade of the giant trees, the wide swath of grass between Gray and the cafe green but empty. I paused to reflect, praying peace, happiness, and lightness of spirit might fall like gentle rain onto my old colleagues and former students, and just before I moved on, I spied a small blue pocket notebook, partially buried in the brush under a bush. I pulled it out and dusted it off.
On the cover was handwritten, in a swirling cursive style, “Survival Manual.” I paged through the little notebook, about the size of a hand, about 40 pages or so, unlined, filled with handwritten notes, instructions, recipes, doodles, lists – places to go, things to do, people to see, books to read, movies liked or disliked, and short poems with simple drawings, every page crammed full of such stuff until, like a Jackson Pollock painting, there seemed not a single space left for another drip or word. There being no place nearby to sit comfortably and study the notebook further, I stuck it into my back pocket and walked on, wondering what catastrophe, big or small, might have resulted in the notebook’s author having lost it.
Home from the walk, I tossed the Survival Manual, not feeling, perhaps naively, mortally threatened at the moment, onto my desk in the dining room, already askew with bad reading and writing habits, books with bookmarks stuck in the middle, notebooks covered with dust still full of the promise of empty pages. “Write in me!” someone had finger-written in the dust of one. Magazines and journals weeks, months, quarters old. Before long, “Survival Manual” was buried beneath more pressing, unfinished projects.
A few weeks drifted by, catastrophes here and there, near and far, sudden, usually unexpected turns throwing people overboard whatever ship they happened to be sailing at the time. Still, I lacked the necessary closeness at hand to bring me to my senses and recognize the plight of our planet includes, indeed, all of us, including me. I mean to say, I’m aware of our current risks, dangers, follies and what ifs, but what really am I proactively doing to come to the aid of our planet? I mean to say, is showering only every third day or so and recycling properly, enough? Then came, locally, yet another heat wave record, and finding that I was confined by the heat outdoors to the house, even in the evening, when the sun had gone down, I decided to direct an electric fan toward my dining room desk and clear the clutter. If I had to be so hot, I would at least be neat about it. The fan, of course, produces heat as an unnoticed but negative side effect, as does the laptop on which I’m now typing these notes, bringing to you, too, dear reader of the Toads, a mere suggestion from the “Survival Manual.”
I uncovered the survival manual, immediately set aside my goal for a clean desk, and sat down in front of the fan with the manual in hand to take a closer look. I decided the notebook to be the work of a genius or madman. Of course, now that we are old and among the awakened ones, we realize the two are often one and the same. The survival manual author, who I will now refer to as SMA, wrote in a kind of shorthand style, skipping superfluous parts of speech, using fragments ignoring subject or predicate, adding icon doodles to illustrate ideas, inventions. SMA apparently possessed an ironic kind of sense of humor, too. A few of the drawings were captioned with hopeless and unexpected explanations: “Planet Senile”; “Moving to the Moon – what to take along”; “Breaststroke for polluted waters”; “How to recycle the non-recyclable.”
I paused at a page titled “Under Extreme [Heat].” Rather than describe it, I’ve attached a pic taken with my cell, to wit: 
It suddenly dawned on me that “Survival Manual” is a book of cartoons.
In backyard rock lined pit dug underground for roasting of pig.
This yr pig day a hot one. The pig on a spit put into the pit by two strongest men, kneeling over the mouth, where a wood fire burning overnight has heated the rocks molten. The prepared pig at rest in the hot rocks, a sheet metal lid pulled over the hole. The pig cooks in the ground all this long hot day.
Waiting while pig cooks, drinking beer, young men throwing horse shoes, kids playing capture the flag in the closed street, salads prepped inside in the kitchen (where a ceiling fan famously spins), watermelon slices and water balloon toss in the front yard.
The pig pulls out early evening, after the old folks nap in the shade of the dusty eucalyptus.
The planet spins, spit pointed this pole toward the sun, one hot stone roasting a pretty blue pig, green apples popped in its mouth.
General agreement this yrs pig tastiest on record.
“This heat keeps up, soon be fixing swine in the shade of the sun,” Mr. Picbred says, mouth swill of pig, popping a fresh beer, sitting in front porch rocker, plate on lap, feet up, breathing from his belly, watching our sun go down.

He ate no more,
“Please me no tuna
dish at your open door,”
around the room a moat
filled with stone worms.
For bait he’d chummed
kittens cutely perched
in nooks of paper cut hearts.
A trawler he rowed to catch
the bones of relict relish.
He went on like this and on,
a sophist uttering disgruntled
guttural grunts mistaken
for charms by gullible
attendants on holiday for good.
His gig whirled on the briny beach,
bodies of ditched sea snails filling
with new fats and oils and muscle.
He stow away in a cave,
plenty likes to last a new day.
on and on the walk the low wall climbing of something not
the walk and come bestrewn the hill a wall of lifted stone
and come to a low or down the hill a noisy neighbor
to a low wall built ascending or descending harmonica
wall built of loose so much depends on blazing a path
of loose stones deep ends to hegemony
some fallen on perspective from lines
fallen strewn which comes from punctuation
strewn dry weeds seasoned start to and fro
on this side of a mending walk meandering
maunder and you reader on the other side other side
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waaaaaalllllllalalalawallalalalawallalalawalllalalawall wall wall wall wall wall |||
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of this wall wall wall wall wall wall wall wall wallwall wall wall wall wall wall |||

A fun and generous review of Alma Lolloon has appeared on Amazon. Here is a link, and I’ve pasted the review below:
by, Rucker Trill
July 4, 2018Format: PaperbackVerified Purchase