In backyard rock lined pit dug underground for roasting of pig.
This yr pig day a hot one. The pig on a spit put into the pit by two strongest men, kneeling over the mouth, where a wood fire burning overnight has heated the rocks molten. The prepared pig at rest in the hot rocks, a sheet metal lid pulled over the hole. The pig cooks in the ground all this long hot day.
Waiting while pig cooks, drinking beer, young men throwing horse shoes, kids playing capture the flag in the closed street, salads prepped inside in the kitchen (where a ceiling fan famously spins), watermelon slices and water balloon toss in the front yard.
The pig pulls out early evening, after the old folks nap in the shade of the dusty eucalyptus.
The planet spins, spit pointed this pole toward the sun, one hot stone roasting a pretty blue pig, green apples popped in its mouth.
General agreement this yrs pig tastiest on record.
“This heat keeps up, soon be fixing swine in the shade of the sun,” Mr. Picbred says, mouth swill of pig, popping a fresh beer, sitting in front porch rocker, plate on lap, feet up, breathing from his belly, watching our sun go down.
He ate no more,
“Please me no tuna
dish at your open door,”
around the room a moat
filled with stone worms.
For bait he’d chummed
kittens cutely perched
in nooks of paper cut hearts.
A trawler he rowed to catch
the bones of relict relish.
He went on like this and on,
a sophist uttering disgruntled
guttural grunts mistaken
for charms by gullible
attendants on holiday for good.
His gig whirled on the briny beach,
bodies of ditched sea snails filling
with new fats and oils and muscle.
He stow away in a cave,
plenty likes to last a new day.
She came from around the sun
in cherry blossom time
and paused, here, on this spot
, <
and found she could not
continue
blind to the irises and black
dots spotting the hawk
on its back
< ~
their ships were nothing like
the science fiction versions
more like eyelashes
and eyebrows
^ ^
* *
The good sister could not
hide her red cheeks
as she left her red checks
across their papers
hips swaying
up and down the aisles
of her universe.
City park a bench come Spring
passersby doing their thing
King slips into Queen being
antique clown bums a smoke
everybody doing something
and those have nothing at all
nothing their thing this Spring.
Cool cat gesticulated crouch
down by the empty reservoir
live on social media channel
pothole posts and midnight tweets
comic flickers flower round the pole
breaking beaks on noisy bedspring
like every Spring that’s ever been.
Now Jack and Jill dressed to kill
over the hill they spring and sing
shall Jack hath Jill and nought go ill?
or doth not Jill make a good Jack?
spring seeds put to bed then will time
Summer rest before work begins earnest
August and lugubrious September.
The ambiguities of Spring befuddle
tulip mania in all this muddle the old
let the thistledown grow those
with little to increase shall not spray
the unwanted children free to roam and play
the glow of a new Pentecost settles
over a movable East and festive West.
The Age of Privacy is over
all must now show their hands
still the war the weather the constant worry
but another night passes in local peace
and the coffee house on the corner
open as usual still a few things
we might rely on not to our detriment.
Words were never so simple as we were taught to believe. Tricksters of the trade make things look like all the chess moves were preordained. And if we are reading second hand, through the prism of translation, so much the better for our lack of understanding!
“You said, ‘”and I quote…’”
Words are not to understand, but to experience, to share, the ordinary daily world we work so hard at from being cornered.
The face prepared to meet the faces.
Do we understand the invisible string of musical notes? What do they mean? Already heard and gone, and where did they go, these industrial sounds?
Tenement
Words work within their industry, economy, structures.
Performance
Dust particles, falling, drifting, piling up, the tongue the only rule, the teeth, lips, mouth.
The moon looked like a banana.
The poem is an old thing, some kind of tool, maybe, an implement, but what was it used for?
Eye floater.
He started off so serious, as if he were out to save something, someone. But first he had to persuade there was some danger. These comics, by the way, these unsophisticated, small-scale drawings, are made with fingers on the simplest of phone apps, with just a few basic colors, and no tricks.
Daylight Savings
The moon looked like a pearl. He heard a familiar voice: “Did you remember to carry the garbage can to the curb?”
Untitled
He slept all day and at night drew cartoons.
Modes.
But mostly at night, in the middle of the night, when sleeplessness becomes comical.