Tag: Discuss

  • Edna O’Brien’s “The Country Girls”

    Edna O’Brien’s “The Country Girls”

    Edna O’Brien’s “The Country Girls” is the first in the trilogy telling the life and times of Kate and Baba, two girlfriends from country situations who get to the city trying to move away from the tangled mores of Irish family, church, education, and politics of the mid twentieth century. The second in the trilogy is “Girl with Green Eyes,” first published as “The Lonely Girl.” The third, received by critics at the time with the least enthusiasm, is “Girls in Their Married Bliss.”

    Kate and Baba must work jobs, find a place to live, take care of themselves, all on their own. So what, we might ask. Those might be good problems to have. Indeed they are, and even better if the girls survive – the attempts to shame, the gentlemen who come into their lives, the petty but deep economic exploitations, trusts and distrusts of one another and their trysts.

    “I work in a delicatessen shop in Bayswater and go to London University at night to study English. Baba works in Soho, but not in a strip-tease club, as she had hoped. She’s learning to be a receptionist in a big hotel. We share a small bed-sitting room, and my aunt sends a parcel of butter every other week” (212, “Girl with Green Eyes”).

    At the time of their publications, in the early 1960’s, O’Brien’s books were banned, her family shamed. “The Country Girls” is dedicated to her mother, though it’s doubtful her mother ever read it. It wasn’t enough for the Irish censor board to simply ban the books – people burnt them in public shamings, and priests denounced them from the pulpit. It’s doubtful any of them read any of it, except maybe the pages someone said were rife with you know what, and God bless and keep you if you don’t know.

    But O’Brien persisted, her work redeemed itself and a generation of girls. “My whole body was impatient now. I couldn’t sit still. My body was wild from waiting” (186, “The Country Girls”).

    But redemption might not be sufficient for those who want to write their own lives, who want to be reborn every day: “Not long ago Kate Brady and I were having a few gloomy gin fizzes up London, bemoaning the fact that nothing would ever improve, that we’d die the way we were – enough to eat, married, dissatisfied” (7, “Girls in Their Married Bliss”).

    My Penguin paperback copies are all three editions from 1981 (they were originally published in 1960, 1962, and 1964). Many editions have been printed, some with maybe better cover designs.

    …from my Goodreads “short reviews of old personal library books.”

  • 3 Poems at Cosmopolitan Hotel Cairo

    3 Poems at Cosmopolitan Hotel Cairo

    Rake the Sentiment: 3 Poems at Cosmopolitan Hotel Cairo. < Click to visit and read.

  • Henry Miller’s “Tropic of Cancer”

    Henry Miller’s “Tropic of Cancer”

    Henry Miller’s “Tropic of Cancer” contains everything Hemingway left out of “The Sun Also Rises,” which had left Ernest with the tincture of  a refined sentiment. That is one difference between the Jazz Age and the Great Depression. Turned out, we didn’t always have Paris; most of us never had it. From page 1 of Miller: “I have no money, no resources, no hopes. I am the happiest man alive.”

    I don’t remember when I first read “Tropic of Cancer,” probably ’68 or ’69. From my notes written on the back of the last page and inside the back book cover:

    art sing 1
    Liby 36
    whore – Germaine 40-43
    Popini 58
    artist 60
    America 86
    change 87-90
    room dream 114-116
    woman want 117 (45, 26)
    pimp & whore 143-144
    Matisse 146-149
    Russia America 154
    working with boss 158
    mona 160-166 (smile)
    Paris 162-188
    book 163
    moon 167
    paragraph (style) 167, 202, 216
    converse 171
    army 200
    Whitman 216
    gold standard 219
    writer 224
    what’s in the hole 225
    earth 225, 226
    idols 228
    task of artist 228
    inhuman 230
    art 229-280
    human 231-259 (view on goodreads)

    “Tropic of Cancer” was first published in France, 1934, Obelisk Press.
    My edition is First Black Cat Edition 1961 Fifteenth Printing B-10, $1.25.
    Introduction c 1959 by Karl Shapiro first appeared in “Two Cities” Paris, France.
    Preface by Anais Nin, 1934.
    No ISBN appears in the book, but the number “394-17760-6” appears on the bottom right of back cover.

    Yes, trying to do something with Goodreads for the new year. I’ll be putting up short reviews like the one above from some of my old reads.

  • Seven Days in May Not; or, A New Lord’s Prayer

    Seven Days in May Not; or, A New Lord’s Prayer

    Our Potus who hides us
    from sea to lake crisis
    hollow is your name.

    Thy Kingdom rots
    from east evidence storms
    to trans west fires.

    Feed us our daily diversions.
    Forgive us our not tots
    as we forgive those
    who abandon us.

    And lead us not into fees and tolls,
    but deliver us our lowly titles
    and our vulnerable genders,
    our human based prayers.

  • Reviews of Alma Lolloon

    Reviews of Alma Lolloon

    Another review of “Alma Lolloon” released into the cybersphere, this one by Ashen Venema, author of “Course of Mirrors” and blogger friend. I paste below, and below that, please see the “TinyLetter” opportunity.

    Ashen’s Review:

    on December 19, 2017
    This is fun. Want to write a book? Forget empowering how-to-do courses. Instead, entertain your knitting circle; guaranteed not to be the silent reading audience an author might fantasise about, for good or bad. More, they’re keen to have their characters included in your story.
    Do knitters or writers have a plan before they set out to do their craft? Alma, a waitress, determined to write a book about her five husbands has no plan. She shares the process by reading installments to Hattie, Rufa, Anny and Curly, her knitting friends. The knitters frequently interrupt. Hattie, considered to be a writing expert, spouts her wisdom with relish – a book – ha – what makes you think you can …
    Alma is undeterred. The first scenes recount the surreal events following the unplanned pregnancy of an American teen. Story or not, the ladies are hooked. They frequently debate the merits of the story, if it is a story, and what the whole point of it might be.
    Grammar, speech marks, arc, none of this matters to Alma as she reads to her listeners. They’re obviously entertained by the occasional odd simile, or they wouldn’t show up at the rotating local venues where they meet. ‘Where’s this going?’ they query. ‘But that’s incredulous,’ they exclaim. Stay silent, burst or share and be crucified. Through the sardonic, provoking and lamenting chapters shines Alma’s need to express her unique truth.
    Active listeners can be rough, in the understanding, of course, that it doesn’t pay to tell the truth. There are laugh-out-loud moments. Portland’s American lingo weaves through the themes of existential crisis, lost utility and simmering rage, sprinkled with humour and funny lines. ‘My epiphany slowly crawled up the back of my neck, morphed, split, and then two headed to my ears, one each …’ or ‘Rack stood five feet nine inches, nine inches and a half if he would bother standing up straight. Well, Jack Rack is mistakenly shot and the story moves on …
    I enjoyed the hilarious discussions on marriage, and on men as occasional providers.
    Could it be said that ‘men’ is a category of books?
    And then, Alma finds out, there are those who choose a book for its cover.

    ~~~

    My Weekly Tiny Letters

    My this week’s Tiny Letter copied below. Would you like to sign up?

    Three reviews of “Alma Lolloon” are now loose in the cybersphere:

    Bill Currey bound his review in a tweet, to wit:

    Bill Currey @williamcurrey
    And here I thought I was going to get a Joycean map with footnotes and all to Linker’s Portland! I stumble blindly onwardly towards, if not to summation, at least to termination.

    Joe Linker @JoeLinker
    Replying to @williamcurrey @PhilippaRees1 and 2 others
    Thanks for the review, Bill. Sounds like something Beckett might have said.

    And Dan Hennessy posted a review of “Alma Lolloon” to his “Tangential Meanderings” blog (AKA: itkindofgotawayfromyou). Click here to read Dan’s review.

    And if you’ve not read Philippa Rees’s review of “Alma Lolloon,” it’s at Queen Mob’s Tea House. Click here.

    Bookmark Giveaway!

    We’ll be spending the holidays with the grand girls, and for an art project we’ll be making bookmarks for a Joe Linker book.

    The bookmarks use standard, toxic free materials, of paper and fabric, thematically linked to the books with original artwork.

    If you’d like to receive a complementary bookmark, please send a reply to this tiny letter telling us what book you’d like the bookmark for (Penina’s Letters; Coconut Oil; Scamble and Cramble: Two Hep Cats and Other Tall Tales; Saltwort; or Alma Lolloon), and also include a snail mail address for us to mail you the bookmark. All bookmarks will be sent out by Dec 31st. If you prefer, we can send you an e-bookmark. Reply the same as above but with an email address. What’s an e-bookmark? Not sure, we’ve not made one yet.

    You can view the covers of the five books here.

    Thanks for reading, Joe

  • Philippa Rees Reads “Alma Lolloon”

    Philippa Rees Reads “Alma Lolloon”

    Philippa Rees has a review of “Alma Lolloon” up at Queen Mob’s Tea House. Please stop by for a cup and a read.

  • isit

    is it? is it? is it?
    what time is it?
    the cricket asks

    the night notes call
    a view of space with
    ornamental lights

    near like the cat
    hiss skin rips
    claws a violet sky
    saturates maroon
    the cauliflower
    cumulus moon

    this squall passes
    as does this darkness
    the outdoor words
    drift over the river
    as the last cricket replies

    is it? is it? is it?
    time to get
    out of bed yet?

  • The Amateur Spirit in Writing – Revisited

    As The Coming of the Toads nears its 10th anniversary (our first post was Dec 27, 2007), we reflect on why and wonder what now.

    The new book, “Alma Lolloon,” is out (“look inside” here). “Out” may seem hyperbolic – it’s now available. Others trying to write and publish will get the difference.

    Most writers, excepting the besttellers, have to self-promote; yes, even when published traditionally by a standard house in the traditional manner.

    It is, then, in the interest of shaking the bushes and the amateur spirit of writing, I invite readers of The Toads to subscribe to my TinyLetter notes.

    Meantime, the amateur spirit in writing lives on at The Toads:

    The amateur spirit in writing

    on

    We do not have the New Yorker DVD library (though we do have in the basement a stack of paper copies we regularly prune for mold), but we do have E. B. White’s “Writings from the New Yorker, 1927-1976,” edited by Rebecca M. Dale (HarperPerennial paperback edition published 1991).

    The “Talk of the Town” pieces these days only occasionally reach White’s wit or brevity. He often captures a moment of his own time while gazing into some distance, foretelling. A case in point, his May 11, 1929 piece, where he writes: “’Writing is not an occupation,’ writes Sherwood Anderson. ‘When it becomes an occupation a certain amateur spirit is gone out of it. Who wants to lose that?’ Nobody does, replies this semi-pro, sitting here straining at his typewriter.”

    Yet today, as the reading crisis spreads its tangential wings to include newspapers pruning peripheral departments, some semi-pro and pro writers are forced back into an amateur spirit.

    Where will they go? Continued White: “Nobody does, yet few writers have the courage to buy a country newspaper, or even to quit a city writing job for anything at all. What Mr. Anderson says is pretty true. Some of the best writings of writers, it seems to us, were done before they actually thought of themselves as engaged in producing literature.”

    Or before, in other words, they thought of themselves as real writers at all. One blogs in the hopes the amateur spirit will prevail, painfully aware that blogging also makes it easier, as White later said, “for persons who are not artists and writers to continue the happy pretence” (May 21, 1938).

    But it’s not only to gain even amateur status that we might entertain the doubtful purposes of writing – for self or for others; it’s because even though we know full well we’ll never play right field for the Dodgers, we still enjoy shagging balls in the back-yard; we will still ride a skateboard down the hill, though of course we are no Tony Hawk, as our spouse reminds us, shouting she’s not taking us to emergency when we fall; and though we could never follow “Da Bull” into the big waves, when we’re back in El Porto, we’ll always paddle out for a small one.

    Whatever happens to the pros, this amateur writing spirit hopefully encouraged and evidenced in the best blogging, whether pretence or preface, may enable those who agree that writing is learned while writing, and in no other way, to find a subject, knowing that subjects often reveal themselves only once we’ve made the commitment marked by a few hundred words.

  • The Cat Music Critic

    The Cat Music CriticI’ve noticed when I pick up the guitar and the cat Zoe is hanging out, she’ll scurry off to a quieter corner. Cats have excellent ears.

    Yesterday, home from the afternoon music theory class I’ve been taking, I organized my notes and handouts, reviewing each page. I left the pages in neat piles on the dining room table.

    This morning, I go to resume my music musing, and what do I find but the cat music critic’s overnight review – Zoe had barfed over my notes.

    Cats are excellent communicators. I’m glad she doesn’t tweet.