• Gerard Reve: “The Evenings”

    The Evenings Day job workers share in common evenings. Time off, free time, leisure time, time-wasting, occupy the evenings. What to do? The question often haunts office and factory workers (workers clutching daytimer calendars are bothered by another version of the question). The evening absorbs the question of what to do like a fountain swallows wish thrown coins. The equity of time off beggars everyone. Free time hours can’t be saved, must be spent. On what?

    Frits van Egters, the main character of Gerard Reve’s “The Evenings” (first published in Dutch in 1947), works an office day job he considers so boring he barely mentions it. His attention is focused on his evenings, how they might be spent, how they pass, what he might do with his free time, and what he does do. Frits lives with his parents when in December of 1946 we are invited to spend his evenings with him as they pass from around Christmas thru the new year. He talks to himself, has bad dreams, tells horrible jokes, thinks about the evening hours passing, goes out and about, visits friends, is condescending toward his parents, alienated, sarcastic, cynical. It’s freezing outside. Inside there’s the coal stove, a radio with a classical music and a news station, books, food, his bedroom. One night he goes out and drinks too much and gets sick. By the next evening he’s recovered enough to be able to go out again. He sees a film, rides a tram, crosses canals, walks along a river. He owns a bicycle, but it breaks.

    The layout is dense, the dialog embedded in paragraphs, and the book is meant to pass as slow as an evening might, and to mean the same thing, which is nothing, which is to say, everything. Often, Fritz’s thoughts during a conversation are spoken to himself and interwoven with what he actually says and hears. His dreams are related in a similar way, so that the reader may not immediately realize when a dream, or the memory of a dream, has begun or ended. The writing is clear, though, the descriptions appealing to every sense. The home meals, the food, for example, are described with local, specific detail – texture, smell, look, feel, taste. You can even hear the meal cooking, eaten. The clothes, weather, walks also all described with realistic detail, a pleasure to read. There is no television, no devices to distract or synch. “The Evenings” is a book, a perfect way to pass an evening.

    The Evenings: A Winter’s Tale, Gerard Reve, translated from the Dutch by Sam Garrett, Pushkin Press, London, 2016.

  • A Noir Comics

    a noir comic
    a noir comics
    ire & furry
    ire & furry
    "Oh, Lord"
    “Oh, Lord, won’t you buy me a night on the town?”
    Belly Buttons
    “Mine’s bigger than yours.”
    NIghtfall
    Nightfall
    Haircut
    Haircut
    Rain
    Rain
  • Edna O’Brien’s “The Country Girls”

    Edna O’Brien’s “The Country Girls” is the first in the trilogy telling the life and times of Kate and Baba, two girlfriends from country situations who get to the city trying to move away from the tangled mores of Irish family, church, education, and politics of the mid twentieth century. The second in the trilogy is “Girl with Green Eyes,” first published as “The Lonely Girl.” The third, received by critics at the time with the least enthusiasm, is “Girls in Their Married Bliss.”

    Kate and Baba must work jobs, find a place to live, take care of themselves, all on their own. So what, we might ask. Those might be good problems to have. Indeed they are, and even better if the girls survive – the attempts to shame, the gentlemen who come into their lives, the petty but deep economic exploitations, trusts and distrusts of one another and their trysts.

    “I work in a delicatessen shop in Bayswater and go to London University at night to study English. Baba works in Soho, but not in a strip-tease club, as she had hoped. She’s learning to be a receptionist in a big hotel. We share a small bed-sitting room, and my aunt sends a parcel of butter every other week” (212, “Girl with Green Eyes”).

    At the time of their publications, in the early 1960’s, O’Brien’s books were banned, her family shamed. “The Country Girls” is dedicated to her mother, though it’s doubtful her mother ever read it. It wasn’t enough for the Irish censor board to simply ban the books – people burnt them in public shamings, and priests denounced them from the pulpit. It’s doubtful any of them read any of it, except maybe the pages someone said were rife with you know what, and God bless and keep you if you don’t know.

    But O’Brien persisted, her work redeemed itself and a generation of girls. “My whole body was impatient now. I couldn’t sit still. My body was wild from waiting” (186, “The Country Girls”).

    But redemption might not be sufficient for those who want to write their own lives, who want to be reborn every day: “Not long ago Kate Brady and I were having a few gloomy gin fizzes up London, bemoaning the fact that nothing would ever improve, that we’d die the way we were – enough to eat, married, dissatisfied” (7, “Girls in Their Married Bliss”).

    My Penguin paperback copies are all three editions from 1981 (they were originally published in 1960, 1962, and 1964). Many editions have been printed, some with maybe better cover designs.

    …from my Goodreads “short reviews of old personal library books.”

  • Jeeves and the Moocher Wooster

    Bertie Wooster is a man without an immediate family but with a score of relatives and friends and a live-in butler or valet, a gentleman’s gentleman who goes by Jeeves. Bertie’s parents are conveniently dead, and he’s no siblings to shackle his adventures, which consist mainly of wasting time drinking and dining at the Drones, his men’s club, or at the racetrack, or getting into and out of engagements with young women whose mission in life would be to prop him up properly so that he might not be considered the actual wastrel he is, or getting into minor scrapes and follies with his comrades in trouble. Jeeves is the antagonist that prevents Bertie from serious injury his rich risk taking might seem headed toward.

    Today, Bertie might be considered a trust fund baby, another wastrel who might someday grow up to be a president, but the Wodehouse story settings are generally around the Edwardian Era, and specifically the elite well-to-do whose fortunes have derived from conquest and capital growth. No one seems to have actually earned anything, but birthed into predicaments that are at once absurd, dastardly, and hilarious. Bertie and his buddies are royalty without the trappings of any kind of responsibility. They are moochers par excellence.

    For the reader able to hold a sense of social justice in suspension for an hour or two of laugh-out-loud reading, Bertie and Jeeves provide an ideal escape. Often, the plots are thickened considerably with concerns over clothing, where Jeeves eventually outwits Bertie, stripping him of his leading edge fashion ideas. Minor characters from all walks of life enter the frays and provide a bit of economic diversity and compare and contrast action, or, at least, situation.

    But the stories belong to Jeeves, whose constant background lobbying for reasonable justice in the Wooster household levels the mooching. He turns the lamp onto the mirror.

    My copy shown above is Pocket Book 495; Front Cover illustration by Louis Glanzman; No ISBN. The original Doran edition was published October, 1927, and the A. L. Burt edition published February, 1936. My Pocket Book edition was published February, 1948 by arrangement with Doubleday and Company. Printed in the U.S.A. A list of Pocket Books appears at the end of the paperback, under the heading, “The Best of the World’s Reading – for only .25 cents.” Crossposted at Goodreads.
    The paperback, Pocket Book edition published February, 1948 is a 1st Printing, January, 1948, 258 pages, by Pocket Books, Inc. Rockefeller Center, N.Y. I’ve a number of Penguin editions of Wodehouse as well: Wodehouse books
  • 3 Poems at Cosmopolitan Hotel Cairo

    Rake the Sentiment: 3 Poems at Cosmopolitan Hotel Cairo. < Click to visit and read.

  • Henry Miller’s “Tropic of Cancer”

    Henry Miller’s “Tropic of Cancer” contains everything Hemingway left out of “The Sun Also Rises,” which had left Ernest with the tincture of  a refined sentiment. That is one difference between the Jazz Age and the Great Depression. Turned out, we didn’t always have Paris; most of us never had it. From page 1 of Miller: “I have no money, no resources, no hopes. I am the happiest man alive.”

    I don’t remember when I first read “Tropic of Cancer,” probably ’68 or ’69. From my notes written on the back of the last page and inside the back book cover:

    art sing 1
    Liby 36
    whore – Germaine 40-43
    Popini 58
    artist 60
    America 86
    change 87-90
    room dream 114-116
    woman want 117 (45, 26)
    pimp & whore 143-144
    Matisse 146-149
    Russia America 154
    working with boss 158
    mona 160-166 (smile)
    Paris 162-188
    book 163
    moon 167
    paragraph (style) 167, 202, 216
    converse 171
    army 200
    Whitman 216
    gold standard 219
    writer 224
    what’s in the hole 225
    earth 225, 226
    idols 228
    task of artist 228
    inhuman 230
    art 229-280
    human 231-259 (view on goodreads)

    “Tropic of Cancer” was first published in France, 1934, Obelisk Press.
    My edition is First Black Cat Edition 1961 Fifteenth Printing B-10, $1.25.
    Introduction c 1959 by Karl Shapiro first appeared in “Two Cities” Paris, France.
    Preface by Anais Nin, 1934.
    No ISBN appears in the book, but the number “394-17760-6” appears on the bottom right of back cover.

    Yes, trying to do something with Goodreads for the new year. I’ll be putting up short reviews like the one above from some of my old reads.

  • Seven Days in May Not; or, A New Lord’s Prayer

    Our Potus who hides us
    from sea to lake crisis
    hollow is your name.

    Thy Kingdom rots
    from east evidence storms
    to trans west fires.

    Feed us our daily diversions.
    Forgive us our not tots
    as we forgive those
    who abandon us.

    And lead us not into fees and tolls,
    but deliver us our lowly titles
    and our vulnerable genders,
    our human based prayers.

  • Reviews of Alma Lolloon

    Another review of “Alma Lolloon” released into the cybersphere, this one by Ashen Venema, author of “Course of Mirrors” and blogger friend. I paste below, and below that, please see the “TinyLetter” opportunity.

    Ashen’s Review:

    on December 19, 2017
    This is fun. Want to write a book? Forget empowering how-to-do courses. Instead, entertain your knitting circle; guaranteed not to be the silent reading audience an author might fantasise about, for good or bad. More, they’re keen to have their characters included in your story.
    Do knitters or writers have a plan before they set out to do their craft? Alma, a waitress, determined to write a book about her five husbands has no plan. She shares the process by reading installments to Hattie, Rufa, Anny and Curly, her knitting friends. The knitters frequently interrupt. Hattie, considered to be a writing expert, spouts her wisdom with relish – a book – ha – what makes you think you can …
    Alma is undeterred. The first scenes recount the surreal events following the unplanned pregnancy of an American teen. Story or not, the ladies are hooked. They frequently debate the merits of the story, if it is a story, and what the whole point of it might be.
    Grammar, speech marks, arc, none of this matters to Alma as she reads to her listeners. They’re obviously entertained by the occasional odd simile, or they wouldn’t show up at the rotating local venues where they meet. ‘Where’s this going?’ they query. ‘But that’s incredulous,’ they exclaim. Stay silent, burst or share and be crucified. Through the sardonic, provoking and lamenting chapters shines Alma’s need to express her unique truth.
    Active listeners can be rough, in the understanding, of course, that it doesn’t pay to tell the truth. There are laugh-out-loud moments. Portland’s American lingo weaves through the themes of existential crisis, lost utility and simmering rage, sprinkled with humour and funny lines. ‘My epiphany slowly crawled up the back of my neck, morphed, split, and then two headed to my ears, one each …’ or ‘Rack stood five feet nine inches, nine inches and a half if he would bother standing up straight. Well, Jack Rack is mistakenly shot and the story moves on …
    I enjoyed the hilarious discussions on marriage, and on men as occasional providers.
    Could it be said that ‘men’ is a category of books?
    And then, Alma finds out, there are those who choose a book for its cover.

    ~~~

    My Weekly Tiny Letters

    My this week’s Tiny Letter copied below. Would you like to sign up?

    Three reviews of “Alma Lolloon” are now loose in the cybersphere:

    Bill Currey bound his review in a tweet, to wit:

    Bill Currey @williamcurrey
    And here I thought I was going to get a Joycean map with footnotes and all to Linker’s Portland! I stumble blindly onwardly towards, if not to summation, at least to termination.

    Joe Linker @JoeLinker
    Replying to @williamcurrey @PhilippaRees1 and 2 others
    Thanks for the review, Bill. Sounds like something Beckett might have said.

    And Dan Hennessy posted a review of “Alma Lolloon” to his “Tangential Meanderings” blog (AKA: itkindofgotawayfromyou). Click here to read Dan’s review.

    And if you’ve not read Philippa Rees’s review of “Alma Lolloon,” it’s at Queen Mob’s Tea House. Click here.

    Bookmark Giveaway!

    We’ll be spending the holidays with the grand girls, and for an art project we’ll be making bookmarks for a Joe Linker book.

    The bookmarks use standard, toxic free materials, of paper and fabric, thematically linked to the books with original artwork.

    If you’d like to receive a complementary bookmark, please send a reply to this tiny letter telling us what book you’d like the bookmark for (Penina’s Letters; Coconut Oil; Scamble and Cramble: Two Hep Cats and Other Tall Tales; Saltwort; or Alma Lolloon), and also include a snail mail address for us to mail you the bookmark. All bookmarks will be sent out by Dec 31st. If you prefer, we can send you an e-bookmark. Reply the same as above but with an email address. What’s an e-bookmark? Not sure, we’ve not made one yet.

    You can view the covers of the five books here.

    Thanks for reading, Joe

  • Around Thanksgiving Comics

  • Philippa Rees Reads “Alma Lolloon”

    Philippa Rees has a review of “Alma Lolloon” up at Queen Mob’s Tea House. Please stop by for a cup and a read.