Tag: Silence

  • Recording Noise

    Going about without making any noise is perhaps the most difficult task of our day. If we try to make sense of the noise, we discover music.

    I was thinking the blog was a silent activity, but then I began hearing my fingers striking the keyboard, padded notes, which, if given time, could be organized into a piece of music.

    The quieter we try to be, the more noise we hear.

    We might think of silent noise, tinnitus, for example, an apparent oxymoron, a noise but silent because it’s not really a sound, but simply the perception of sound, hearing a sound that has no outside source. Others can’t hear it, no matter how hard they listen. But they have their own silent noise playlists.

    The keyboard went quiet as I reread the above paragraphs. I’m in real time for the moment, but my reader, if there is one, will not be in the same time. Thus the blog is like a recording, but the reader will not be able to hear the keyboard as I type, or as I typed, unless I made a recording.

    There are 24 time zones around the globe. They allow for music to occur internationally. But not everyone pays strict attention to the time zones. In China, for example, everyone uses the same time, all the time, regardless of which of the five geographically separated time zones they might be in. What time is it becomes an interesting question, since sunrises and sunsets can occur hours apart, depending on where you are at the time. In other words, to awake at sunrise for one person, could be sleeping in for another, not getting up until noon! For some reason, we try to match our time with the position of the sun. But most people work inside, unlike our ancestors, so what does the sun have to do with it? Circadian rhythms. We can’t hide from the sun.

    I’m making a recording now of the keyboard, using my cell phone. Note the pauses, as I try to figure out what to say. The spaces between the notes create music, because they are separated in time (duration). But is there rhythm? The recording has now gone on for just over one minute.

    A default has given the keyboard recording the title “Voice 0061.” I’ve tried to upload the recording to this blog post, so readers can follow along, hearing the typing as they are reading the paragraph, but I received a message saying I’m unable to upload the file, to wit: “Sorry, you are not allowed to upload this file type.” Thus we discover that learning to play an instrument is harder than we might think. Undaunted, I’ll now try a video, using the keyboard and my cell phone.

    I’ve set the phone against the screen, and I can’t see what I’m typing now, feeling much like the player in a jazz band. But I type on, being video-recorded. I don’t feel much like continuing the experiment, but having pushed on this far, I keep typing. As Cage said, “What we re-quire is silence; but what silence requires is that I go on talking.”1 Similarly, what music requires is that I go on typing. Many mistakes in this typed paragraph, like playing the worong [sic] notes on the guitar or piano, but I’ve gone back and corrected the text, but the mistakes, as recorded, sound just like all the other notes, no problem.

    Now I have the video recording on my phone. Because I set the phone so close to my screen, the video is a white grey cloud, but the viewer can hear the keyboard. Now I have to figure out how to get the video from my phone into this blog post, so readers can listen to it as they read along. Alas, I try to email it to myself, but get a Gmail message saying it’s too big a file. Yet it’s only 1:33 minutes.

    But you can perform your own keyboard music. All you have to do is type and listen. You don’t even have to type real words, but that should probably be the subject of a different blog post.

    1. John Cage, “Lecture on Nothing” (1959), from “Silence” (First printing 1961. Wesleyan Paperback, 1973). ↩︎
  • How to Relax

    No point in pointing to made one’s way
    each momentous breath passes coming
    in spaces between arriving & leaving
    you learn to breathe with the tummy.

    To breathe is to fall loose
    into mattresses of surf
    full of air bubbles drifting
    to shore with a slow tide
    as light as moon goes
    in the sky and on the sea.

    Sitting on the wooden bench under the lilac,
    while Chloe plays in the age-old schoolyard,
    Papa awaits the second coming, not knowing
    what to expect, unable to recall the first coming.

    I will write you flowers
    every morning to read
    with your bitter coffee
    a bright yellow squirt
    of sun oily blue green
    froth on top.

    You sleep with a cat
    whose soft purr
    gives you pleasure
    all the joy of color
    impressions for the day.

    You are soft like warm
    butter barely melting
    down a scone topped
    with a couple of gummy
    candy raspberries.

    The butter wets the real
    fruit jelly rounds to light
    pigment an open place
    for lips to play and tongue – wait
    you didn’t think this
    was really about flowers, did you?

    Here are two flowers
    the one calls a honey bee
    the other falls asleep
    petals open softly fictile.            

    There is so much silence
    hear the rustle of ants
    hustling across the counter
    for sugar and sweet
    stuffs, see the apple
    blossoms opening feel
    the bees approach
    touch the molten lava
    freeze it you can
    but no matter.

    Once we admired multiple
    uses of one another
    of the now tossed
    cast off laugh
    tassels flipping
    flopping bouncing
    from rear view mirrors
    windows all rolled down.

    Now we adhere
    to this new silence
    deafens touch
    asks for something
    that is nothing
    blends with the wall
    wearing night caps
    and socks to bed.

    Outside cold winds blow
    bare branches whip
    the rain’s violence pours
    mercifully out a kindness
    allows for sleep and sleep.

    The rain falls and falls all
    night long soaks through
    the ground walls fills
    the basement rises
    up the stairs
    floods the living
    room wicks up the wallpaper
    and pours out the windows.

  • To Whom It May Concern: An Invitation to Silence and Composition

    John Cage dedicated his lectures and writing collected in Silence “To Whom It May Concern.” As it turns out, it concerns everyone, though most of us do our utmost to ignore it. Yet Silence is still in print, and the amorphous, variable audience Cage invoked in his dedication continues to grow. But if we can’t ask anything specific about Cage’s intended audience, can we at least ask, what is it that may concern us? When asked what Cage’s Silence is about, I usually say it’s about composition, the way we arrange things.

    A recent neighborhood atlas project by students in the CAGE Lab (no relationship to John) contains a noise map of San Francisco neighborhoods. The atlas is a form of composition, an arrangement of nouns and verbs and objects, labeled to “tell different stories.” A map is a composition. Noise is usually heard symmetrically, but some in the audience may hear asymmetrically; concentric noise, proceeding in wave-circles, gets confused, as sound bounces and ricochets (gives and takes), pouring into one ear, squeezing into another. Composition is dynamic; silence is static. Sound is not linear (line-ear).

    jOhN cAGE was born in 1912, and there’s much ado about his 100th birthday year at the John Cage site.

    Related Post: On the Noise of Argument, where John Cage meets Seneca; or, There is No Silence – Bound to Sound