Rumor has it the pandemic is over, and folks are getting back to the way they were. Sidewalk cafes are filling with hopeful bon vivants, wine bars are recreating the gypsy jazz trio, tea rooms have put out the herbal welcome mats, and down on the corner, a lone violinist is busking the blues away. Movies? Newspapers and magazines? Some things are likely not coming back. But we can’t blame the pandemic for all our ills and woes.
Brick sidewalk cafeBuskerUrban CafeNewspapers and MagazinesCoffee Noir
Pubs are open, and wine bars, bakeries and coffee shops. You’re lucky though if you can find a place to park in between the street seats impromptu platforms, or to find a warm tavern that serves both a hefty microbrew and a tasty pinot noir.
Wanted: A clean, well-lighted place, with polite waiters, a high ceiling and not too crowded or too noisy or too far away, with a live trio that doesn’t require ear muffs, a place that doesn’t mind singles sitting hour after hour over a book and the same cup of frequently topped off java.
Below: A friendly waiter.
And weddings are back in full motion, fashion, with updated attendance rules. Below, what to wear:
Wedding DressCocktail WearCome as you are
Soon Spring will spring, doing its thing, a spring dance fling, prom night, a concert at an old venue downtown.
Spring FlingProm NightAllegro con brio
But some folks might have the post pandemic blues, and don’t want to go out. In a way, the pandemic has set them free. No more shopping sprees. No more putting on the style. But what about a baseball game in the ballpark? There must be some way the afflicted can lose those post pandemic blues.
What will we do with Live at 5 in the new year? The shows began at the beginning of the Covid-19 pandemic and at their peak featured a different host player going live most nights of the week, sharing guitar, songs, stories, and readings (live via the Instagram video venue) to an audience of similarly homebound family and friends of family. The shows ran evenings for about an hour starting at 5. The hosts included, on a rotating schedule, myself, my brothers, a nephew, and over time a few guest hosts and visitors – more family and friends. Shows were home-staged from Portland, Salem, Healdsburg, Ione, Drytown, Los Angeles, and Philadelphia. The format was loose and forgiving. Audience clicked on, paused, maybe stayed for the whole show, as people do passing buskers on a sidewalk, and through the Instagram feed anyone tuned in could place comments for the performer and the rest of the audience to read, and many an audience-controlled conversation took off. (Unfortunately, Instagram does not save those conversations – the comments disappear even if the host saves the video to their Instagram feed.) The Live at 5 shows diminished through 2022, timing out as the voluntary pandemic isolations began to lift.
I played guitar in a neighborhood jazz band for the last couple of years. It was fun, I met some new folks, and learned more about music and the guitar – particularly about playing “in the pocket,” a term that means playing in time, in sync with the other musicians, a skill I’ve never satisfactorily mastered. You might think jazz would be more forgiving, but no. I left the band to concentrate on gypsy jazz guitar, renewing my subscription to Robin Nolan’s “Gypsy Jazz Club,” which includes players from all around the world. One of the features of the club is a “Sunday Club Zoom Hangout” – 8 in the morning my time, but I manage to wake up in time most Sundays, for a Gypsy djassreveille. For the most part, the Hangout hour is devoted to live, short performances by club members.
“Step in time, step in time Step in time, step in time Never need a reason, never need a rhyme Step in time, we step in time”
from the song “Step in Time,” lyrics by The Sherman Brothers, in “Mary Poppins,” 1964.
Time waits for nothing, to begin, “to boldy go where no man [which is to say, everyone] has gone before,” pen in hand, splitting infinitives out of time, rubato, robber of time:
“For three years, out of key with his time, He strove to resuscitate the dead art Of poetry; to maintain ‘the sublime’ In the old sense. Wrong from the start—”
from “Hugh Selwyn Mauberley” [Part I], Ezra Pound, 1920.
Anyway, the question I’m entertaining now is whether or not to try to resuscitate an ongoing Live at 5 show. The need for homebound, not to mention amateur, entertainment may have passed for the time being. Still, there developed a core group of loyal listeners, not enough to fill Shea Stadium, or the Ash Grove, for that matter, of course, but would even those few return for a new season? It’s dinner hour, kids are back in school, the work-at-home movement is weakening, and pizza parlors, pubs, and wine bars have reopened, many featuring live entertainment. And the movies are back up and running. But some of us have emerged from the pandemic isolation years eschewing the old forms. We don’t go out anymore. We are aging. We are stepping out of time. We could fill a living room.
Most of the Live at 5 shows were improvisational, maybe the host wrote down a few notes before going live with some intro comments, checking in with the audience, a few songs, some outro comments. Audience requests were popular. The videos remain on their host’s Instagram, where saved, complete with mistakes and random rambles, unedited. I don’t want to overstate, but I think the shows in the various locales were looked forward to and enjoyed. Where they were not joined live, Instagram followers caught up later.
My brother Charles, at the height of the show’s exceptional ratings, had some shirts made:
By the way, none of this post is to espouse Instagram as a preferred tool. But that’s a topic for another post altogether.
I’m now picturing a Live at 5 Never Ending Tour, maybe with a reading list for the audience to keep in tune:
John Cage’s “Silence” Bob Dylan: “The Philosophy of Modern Song” Dunstan Prial: “The Producer – John Hammond and the Soul of American Music” Michael Dregni: “Django – The Life and Music of a Gypsy Legend” Greil Marcus: “Mystery Train” “The Real Frank Zappa Book”: Frank Zappa with Peter Occhiogrosso Alex Ross: “The Rest is Noise” Robin D. G. Kelley: “Thelonious Monk – The Life and Times of An American Original”
But you see how easy it is to get carried away.
Closing this post with a quote from John Cage, “written in response to a request for a manifesto on music, 1952”:
instantaneous and unpredictable
nothing is accomplished by writing a piece of music " " " " hearing " " " " " " " " playing " " " "
our ears are now in excellent condition
xii/Silence, John Cage, Wesleyan University Press, 1961 (paperback 1973), reformatted somewhat here to fit block.
Note: This is a Happy Birthday! post for Matt Mullenweg.
No end will suffice, not fire nor ice. In the beginning, things started off with a bang, a big one at that, after a night of fitful sleep, though how one measures big in the face of nothing surrounding seems insolvable. In any event, life, what is (the distinction between organic and disparate proven fallacious), now looks to have been without beginning, so a world without end seems fitting. Nevertheless, we begin anew, if not afresh, at the diurnal clarion call. To awake is irreversible, at least for a few hours. Always some remains. And while the Big Pop was the most considerable in several hours, having sunk deeper than one can remember, nothing but whimpering since, awake with the bends. But it won’t finish with a whimper. No end and no exit and no exit and no end: how’s that for the unknotting?
Up and about, wandering now bottom of bole (trunkus, luggage compartment, the part of a tree above the roots and below the branches). Think Beckett’s “Krapp’s Last Tape,” evening in the future, looking backward. Distribution. Retail branches, manufacturing roots.
All brick and mortar retail closed, malls emptied – or might as well be, old habits dropped. The only jobs are those deemed essential. Who deems? The Great Deemer. People waiting in long lines to enter the one remaining store where the shelves are empty, just to look around, shopping it’s called, nothing much needed. Staples delivered. The only rigs on the roads these days those doing deliveries. Still, going shopping, something to do. But the shops are all closed, boarded up, a wilderness for the pigeons, cats, possums, racoons, peacocks, squirrels. Even the meek seem to have abdicated.
The cafes closed, bars banned or pubs perished (though one suspects the Speakeasy may be making a comeback), theatres imploded, churches clapped shut. Schools closed forever. Tested and corporations bid accordingly and draft as needed according to five year plans and instead of schooling what one gets is on the job training: slated for a professional sport, a career in medicine, or a space program. But no one is forced to work. Work is not even considered work, but a fulfillment of a combination of want and need. Consider, if you like, the lilies of the field. There are of course those dirty jobs few look forward to, plumbing and such – but still, “Fair is foul and foul is fair.” What’s to be done? Nothing to be done. But that we do it well, or at least try to.
The Coming of the Toads 