Tag: Jesus

  • Notes on Christian Wiman’s “Zero at the Bone: Fifty Entries Against Despair”

    Wiman’s title comes from an Emily Dickinson poem, about a snake, “A narrow Fellow in the Grass” (1096). Diabolic, symbolic, and fearful (particularly for those with no fear of spiders), snakes glide through the grasses of Wiman’s prose. Self-deprecating, Wiman attempts to hide his ego in the grass of selected poems (his own and by others), copious quotes, anecdotes and memoir, and essays. He begins with a dedication based on “a whole new naivete,” that one might profess to know more having eaten the fruit of the tree of poetry. (“Zero at the Bone” is also, unfortunately, the title of a true thriller. I’ve not read that one, but it also sounds like it deals in despair.) The Zero in Wiman’s title suggests the silence of God. Shame figures throughout, beginning with an epigraph, a quote from Wordsworth: “…to my shame I speak.” The book begins and ends on Zero, the snake swallowing its tail, having shed skin over the fifty entries. “I have no idea what this book will be,” Wiman says in the opening entry, titled “Zero.” Various themes will interweave throughout the book. It is a quilt being sewn, a mosaic, or menagerie. It would have made an interesting blog. The prose does growl along though, as he warns us in the opening “Zero”: “And what, pray tell, is the source of this slowly rousing growl?” That we will discover.

    For readers looking to assuage their own despair, this is probably not the book. It’s not a self-help book. It’s not a bromide. It provides few closed answers and not much good news. Wiman doesn’t appear to believe in Happiness. In this, of course, he’s not alone. Still, to say “One doesn’t follow God in hope of happiness,” hardly seems to go on the offensive against despair. And why shouldn’t one hope for happiness? Why should we not be happy? The opposite of despair is not happiness, but awe, Wiman suggests. There is no panacea. Depression is here to stay. But we can still be awed.

    In entry 1, Wiman mentions a night when his daughter could not sleep. Every time she closed her eyes she had unwanted thoughts. Wiman suggests “she pray to God.” Seriously? The idea of something “erases what it asserts” appears again and again, like “comfort and anguish.” One begets the other: we all need comfort who are anguished, and if we are not tormented, we feel not comfort. There’s this constant dichotomy at work. No permanence save good and evil, the parents of despair. Build it up to take it apart. The kids go to a daycare, “so my wife and I could write.” Maybe writers should not have kids, if that’s how it is. But why can’t a good writer write with the kids around? Joyce did. No art equals no god, no perfection. But if god is so perfect, why the mess? The question of religion, but is faith an answer? This is what comes of taking poetry too seriously.

    In entry 2, we find Wallace Stevens, “Domination of Black,” a poem about, I thought, camping out? Wiman says he doesn’t know what it means, but then goes on to say what it means, erasing what it asserts in so doing, and says it’s about death. Still, with Stevens in the campsite, this is a good entry: “Unreal things have a reality of their own, in poetry as elsewhere.” That is Stevens explaining the human imagination. How to live free from God, not just free from strictures.

    Entry 3 is a single poem, ending “unraptured back to man.”

    In Entry 4 we find Kandinsky again, mentioned with his wife in Entry 2. More quotes, out of context like threads, making the quilt, or is it a jigsaw puzzle, these pieces, not visions. Fragments. What’s the point, if you want to talk about points, of quotes out of context? Wiman’s audience may in large part be made up of divinity students whose lot it will presumably be to balance out angst and joy.

    Dostoyevski fans might remember his line, “Suffering is the sole origin of consciousness.” I kept waiting for Wiman to quote it. But why not of joy? Why can’t joy be an origin of consciousness? Remember, we’re making a quilt here. “One grows so tired, in American public life, of the certitudes and platitudes, the megaphone mouths and stadium praise, influencers and effluencers and the whole tsunami of slop that comes pouring into our lives like toxic sludge.” No kidding, and we’re only on page 30. Then there’s the dinner party honoring Lucille Clifton. Poetry never had it so good. But why does Wiman have to criticize e. e. cummings in his effort to praise Clifton, comparing their use of small case i instead of I? idk. And why take it out on the faces of the waiters? What might be interesting is how the waiters might have described the faces of the poets. For that, we’d need Samuel Beckett, but he’s been dismissed as a trap for minor writers. And there it is, the hierarchy of the cannon, with Dodo and Didi at the bottom of the heap, self-published but nevertheless awaiting instructions from the top.

    And Nietsche? Why not Kirkegaard, Augustine, or Buckminster Fuller – whose treatment of the Our Father prayer is instructive and entertaining and most certainly against despair. But Nietsche is imminently quotable, and Wiman is given to quotes. The quilt makes for a hefty syllabus.

    The poet’s dog. The Holocaust. The bullet we all feel lodged somewhere in the skin muscle of our soul. Christ walks in us. A sermon. Sometimes he walks right through us. Doesn’t stay long.

    It’s a death quilt. Not sorrow. Sorrow is not at zero nor at the bone. Sorrow remains above freezing. Sorrow is a song that doesn’t get sung. Some people can’t sing. A poem says, “Tragedy and Christianity are incommensurable,” in entry 7, then, we get, “The story of Jesus is, in an inescapable sense, a tragedy.” I remember the “Laughing Jesus” image appearing in the church we attended at the time. But Wiman says, “Suffering and death, at some point, will be all that we know.” How does one move against that?

    A poem, “a lullaby of bone,” and “dawn a scald of joy.” Sounds like despair against which nothing can hold back. Where’s the against here?

    Another poem. No comment. Throughout the book, single poems, collections of poems, like posters stapled to a telephone pole advertising little concert events already passed. And comes Ted Hughes, of all poets, singing of joy. Sort of. “Joy! Help!” The Beatles sang it better. Ah, and here’s Kirkegaard: “What is a poet? An unhappy person who conceals profound anguish in his heart but whose lips are so formed that as sighs and cries pass over them they sound like beautiful music.” And I’d like to read more of Norman MacCraig, who says: “I am a happy man…and nearly all the poems I write are in fact praising things.” Entries of quotes and poems. Remember, we’re making a quilt.

    So he disses Samuel Beckett. But Beckett was a happy man. A humanistic writer, a kind man. But who are the “minor talents” Wiman refers to in his diss of Beckett? Bloggers? “This is a toy despair. It’s entertaining, brilliant at times, but it cannot help me.” Wiman explains the meaning of “against” in the title: “By ‘against’ in the subtitle of this book I don’t mean to imply a ‘position.’” A leaning, then. Shoulder against the wheel.

    Yet another poem. No comment.

    Dichotomy. There are two kinds of writers, we’re told. Yes, minor and major. Like guitar chords. Diminished and augmented. Wiman seems unforgiving about Virginia Woolf. Why even mention her if you can’t say something nice? He doesn’t mention her depression, her womanhood, the war raging. For someone who really is suffering from despair, as Virginia obviously was, this book by Wiman won’t be helpful. It might even make matters worse, as his response to Woolf’s suicide makes clear: “A prison gets to be a friend.” Wiman says she “embraced the oblivion that she had spent a lifetime creating out of, and in spite of, and against.” That is a complete misreading of everything. And mean-spirited to boot.

    Wiman says, “Me, I can’t conceive of a god who can’t laugh.” Well, let us hear some laughter, then.

    Another poem. Shooting pool. More despair. Haven’t we enough?

    At the gym. This is a kind of Roland Barthes entry, or a topic Barthes would have used, like his American wrestling piece. “I’ve never been in a gym I didn’t like,” Wiman says. I’ve never been in one I did like. The smell of sweaty socks. Exercise going on but apart from any obvious need, like digging a ditch to lay a sewer line. Honest work. Of course one can be assigned physical therapy, and a gym comes in handy for that. But we should get outside for our exercise, and work for a living. But I can easily see why a writer might need a gym. Get away from the solo desk and into some camaraderie, even if you don’t actually meet or talk to anyone. Maybe even hire a coach, a trainer. But Rocky’s raw eggs? Really? And then we get some humor, finally, or at least some talk about humor. We missed a good chance with the Beckett stuff – well, that was just a footnote, anyway. But now, Wiman showers us after the gym with: “It [humor] can have existential reach and significance, can imply a world in which the comic, not the tragic, is ultimate.” This entry ends, by the way, with a footnote referencing Langston Hughes, a little quote from a letter he wrote. Fine, but Langston should have an entry all his own.

    And now we’re back to snakes again. “Why does one create?” Wiman’s italics, not mine. Some to sound important. And of course the snake anecdote brings us round “commodious vicus” to Adam and Eve, story which with the help of Larkin, Wiman conflates with sex, not knowledge of good and evil. “Then, friend…” First, don’t call me friend. I’m your reader. It’s Eve creates consciousness. Hmm. And then God is the snake. What version is Wiman reading from? And then comes the Weil paradox. Destruction of the I. Hard to understand I guess for a poet, whose sole purpose is the creation of the I. And then it’s sustenance. And what of the others? If I drink it to death? And then comes the snake in the mouth. “There is nowhere to stand and see, nowhere to escape the stink of being human.” One must love that stink as Jesus did. And then this absurd comment: “Poetry is the only sanity.” Really? Then why does so much of it sound so crazy?

    So, an Ars Poetica follows. “If I could let go / If I could know what there is to let go / If I could chance the night’s improvidence / and be the being this hard mercy means.” The work song.

    Hearing music is better than poetry, sans words. Save the sound of a poem’s words.

    More circularity. “The knowledge of love and the knowledge of death are the same, and neither is knowledge.” Is Wiman just trying to sound important here? Like a philosopher might? What indeed is the point? Yes, back on page 3: “To write a book against despair implies an intimate acquaintance with the condition. Otherwise what would be the point?”

    And now more quotes. Bloggishness.

    A six-line poem.

    Loneliness and its solution.

    William Bronk, at the expense of Wallace Stevens. Potato chips. Betcha can’t write one. Aphorisms, like this one from page 118: “Nothing is worth saying, nothing is worth doing except as a foil for the waves of silence to break against.” Yes, and “our ears are now in perfect condition,” John Cage said in his manifesto for music. As for Bronk, metaphor is everything and nothing, since it can point to what is, or what might be, but can never actually be that person, place, or thing. Buckminster Fuller: “I seem to be a verb.” That is not found in Wiman. Instead, we get, via Bronk: “I deal with despair because I feel despair. Most people feel despair but they are not prepared to deal with it except pretend that it’s not there. I think it’s there metaphysically, that it is not a matter of an individual predicament. It’s in the nature of reality and not to be denied.” Another sadist who wants people to think for a living. Isn’t it better to work for a living? “…a man lashed to a mast in his own living room,” is Wiman’s final statement on Bronk.

    Barely bearable. Yes, because there is no “ugly” landscape. It’s all tremendous and awe full. That is the nature of Beckett’s landscapes. Only the human remains.

    Pascal – the dedication to Wiman’s book is now explained, “a whole new naivete,” explained or illuminated.

    Another poem.

    Etheridge Knight. What poetry maybe can do is what “Jesus promises.”

    Poem. “toot” (ish) footed.

    Why is “common reader” in quote marks? Contradictions. Contraindications. Don’t mix this poetry with… Rabbits. Hot rats. “Poetry makes nothing happen.” Yes, precisely. “In the beginning…was the word.” Was. What now? Out of nothing something happened. But why this something? Why not some other happier circumstance? Burning worlds.

    Another poem.

    Out of “this tumbleweed nowhere” now here. And ends in laughter, really is, this entry, “against despair.” This is the autobiographical piece, the memoir, writing worth the price of admission. The memoir piece where Wiman describes his father and sister living like Becket characters trapped in a Southern Gothic play, is the heart of the quilt. Wiman has already tried to dismiss Faulkner’s characters, yet here they are, living a Flannery O’Connor dream. Here Wiman is at his best when it comes to the writing. It’s an American quilt.

    Another poem: hailstorm.

    “I am tired of the word ‘despair,’” Wiman says on page 170. No kidding. Me too. And we three? Remember the speaker is not necessarily the author. We might keep that in mind when we’re hearing voices.

    Another poem. More rats.

    Writing in the sand. Could he write? “Against closure.”

    “Who ever anywhere will read these written words” (Joyce).

    Poem. Hamburger.

    Assumptions and predispositions – toward despair? “Ouroboros.” Our boring into belief. Burrowing? Borrowing from?

    All quotes. “Faith becomes an instrument.” A tool? A piano stool?

    Sermon calling. “Was it your own idea or were you poorly advised?” Funny. Either or. “Who do you say I am?

    25 more quotes. Quip qwop gnip gnop.

    Poem.

    Traces. A play. “What’s the point, then…” Yes, of reading anything at all, never mind writing. What’s the point of worrying over points?

    Entropy. Loss of the big. Who cares about “poise?” At a time like this? At anytime. Well, we’ve got to attend to the niceties. We aren’t in our own living room. And what of the obsessive and the compulsive and the disorders? Will Jesus cure us of those too?

    A poem about pain.

    10 more quotes. What’s the point? Like Melville’s “Moby Dick.” He wanted to write a big book.

    A four-line poem on unbelief?

    A found poem, created by “delineating” a piece of prose. Ok. Mentions Meister Eckhart.

    One’s personal Jesus. Love – what is it? A miracle. Agape. Mouth open. Prayer for, as opposed to prayer against. The universe more strange than we can even ever imagine. In which Wiman reconciles science (physics) with the spirit. Fragments of a big bang. Of course, since it was the only bang, how would one know if it was big or small? Doesn’t matter.

    Wiman makes clear to be against despair is not necessarily to be for joy. His book is not a 7 habits of highly joyful people. But why can’t joy create consciousness as easily as despair? Is humanity an experiment in anhedonia?

    “…want want.” Not, not. Knotty. “Woman With Tomato,” poem.

    Poem. Family. “buoys”

    Cancer and television. “Why must my mind…” I get that. “I’m not chipper…” And the children of war? Children and cancer in the war zones. Wiman teaches a class called “Suffering.” He’s had an overdose of it. But is there another class he might teach called “Joy”? But Wiman says suffering and joy are alike. It’s the same class, turns out. The cancer chair. And Eli Whitney. Job (The Book of) and poetry. Values. Joy over despair. “Of course, of course, of course.” This renders a lot of comments – put your hands down. “One considers the meaning of…” (I’m on page 277 if you want to follow along – in Entry 49.) Not quite true, otherwise placid, readers of this book may attest.

    Comes to a sum, page 278. “…feeds in blood” (281).

    And a final poem: Bewitched, bothered, and bewildered.

    Coda: Zero again. Nothing, nothing.

    Not a book for someone trying to stare down despair. There’s the personal, individual kind of suffering, the stuff of sitting in the cancer chair. There’s the universal, general kind of suffering – “the sole (soul) origin of consciousness.” And there’s the week work and war and worry that wears most of us weary.

  • Epiphany

    In the straw burrow farm mice.
    Get a little closer and you’ll see
    nits in baby Jesus’s hair, lice,
    and a house snake in the olive tree.

    There’s beer on the breath of the three
    sage men sitting under the olive tree,
    playing games of cribbage,
    ushering in a new age.

    The pieces are swaddled in wool.
    Mary’s breast-feeding the baby Jesus.
    Joseph takes out his tools
    to build a bed before the night freezes.

    Mary wipes Joseph’s brow.
    The wise men question how,
    talk to Joseph about what he did,
    and what in the end might be in the crib.

    (“Epiphany” appeared in Rocinante, Spring 2009, Vol. 8
    I’ve made a few minor changes here.)

  • Get Real

    To make art, to make things
    out of other things, to engage
    in artifice, a confidence game:
    “Get real,” your critics say.
    The earth is a rug
    constantly being pulled
    out from under you.

    The artificial is real: the bread
    and wine camouflage the need
    to sacrifice the poor lost lamb,
    not to mention the virgin,
    created by man made
    design critics to avoid
    her real predicament:

    “Poor and rich belonged to the same world and placed themselves on a common, even sliding scale, but beggars could not. The ptochos was someone who had lost many or all of his family and social ties. He was a wanderer, therefore a foreigner for others, unable to tax for any length of time the resources of a group to which he could contribute very little or nothing at all…a ptochos was a shocking reality for the Greco-Roman world” (272). 1

    “The beatitude of Jesus declared blessed, then, not the poor but the destitute, not poverty but beggary…Jesus spoke of a Kingdom not of the Peasant or Artisan classes but of the Unclean, Degraded, and Expendable classes” (273). 2

    1. Gildas Hamas quoted in John Dominic Crossan’s “The Historical Jesus: The Life of a Mediterranean Jewish Peasant” (272). 2. Crossan gloss of Gerhard Lenski (273).

    Who then or now could write
    a poem who is not at least poor
    real poor or in spirit or metaphor?
    Yet the beggars make their signs
    and hold up their poems
    along the roadsides,
    the least of publications,
    the yeast of city life.

    “What is needed, then, is not insight into the Kingdom as future but a recognition of the Kingdom as present. For Jesus, a Kingdom of beggars and weeds is a Kingdom of here and now” (Crossan, 283).

    What is real
    will not be
    found staring
    at the universe
    through artificial eyes
    to catch a glimpse
    of dawn’s first light,
    nor descending
    to the bottom
    of the sea
    in rich pods
    to study ancient
    shipwrecks,
    nor in any travel
    nor in any poem.

    But surely we must
    avoid the real
    at all cost
    and become more
    artificial.

  • In My Easter Bonnet

    A friend of mine writes he’s broken a rib. The circumstances (he doesn’t recall how it happened) remind me of Genesis:

    The Lord God caused a deep sleep to fall upon the man, and he slept; then he took one of his ribs and closed up its place with flesh. And the rib that the Lord God had taken from the man he made into a woman and brought her to the man. Then the man said, “This at last is bone of my bones and flesh of my flesh; this one shall be called Woman, for out of Man this one was taken.” Therefore a man leaves his father and mother and clings to his wife, and they become one flesh. And the man and his wife were both naked, and were not ashamed.

    New Oxford Annotated Bible, Full Revised Fourth Edition, Oxford University Press, 2010.

    A lot gets done in that first week of the Bible, at the end of which even God apparently needed a rest (and, in like miraculous manner, my friend with the broken rib somehow still got the tree pruned and the ladder put away). Readers might well question the facts of the matter. But in the introduction to Genesis in the Oxford, we get this:

    In the modern era, Genesis has been an important battleground as communities have worked to live out ancient faiths in a modern world. For example, much discussion of Genesis, at least among Christians in the West, has focused on whether the stories of Genesis are historically true. Astronomers, biologists, and other scientists have offered accounts of the origins of the cosmos and humanity different from those in Gen 1-2. Some believers, however, insist on the importance of affirming the historical accuracy of every part of Genesis, and have come to see such belief as a defining characteristic of what it means to be truly faithful. This definition is relatively new: the historicity of Genesis was not a significant concern prior to the rise of modern science and the historical method; in fact, in premodern times, the stories of Genesis were often read metaphorically or allegorically. Moreover, many would argue that an ancient document such as Genesis is not ideally treated as scientific treatise or a modern-style historical source. Instead, its rich store of narratives offer nonscientific, narrative, and poetic perspectives on values and the meaning of the cosmos that pertain to other dimensions of human life.

    page 10.

    Yet one may still argue, as Mary Midgley does in “What is Philosophy For?” for a single dimension, a holistic approach that accepts one without discounting the other:

    For instance, adding or removing the idea of God is not just changing an empirical detail, like adding or removing Australia from the map of the world. It is much more like changing the idea of that world as a whole. … In actual life, each of us has a world with a great background which our culture makes ready for us, including a whole population of human and non-human creatures, forces, atmospheres, opportunities, customs, tendencies, ideals, dangers and challenges. As Irish Murdoch has sharply pointed out, this ‘culture’ is not just a matter of a few recent films and fashions; it contains everything that we believe in, including our fashionable views about science itself:

    It is totally misleading … to speak of two cultures, one literary-humane and the other scientific, as if they were of equal status. There is only one culture, of which science, so interesting and so dangerous, is now an important part. But the most essential and fundamental aspect of culture is the study of literature, since this is an education in how to picture and understand situations. We are moral agents before we are scientists, and the place of science in human life must be discussed in words (Murdoch, The Sovereignty of Good, 34).

    Midgley, What is Philosophy For? Bloomsbury, 2018, 54-55.

    While it might make modern sense (scientific or otherwise) to read Genesis as allegory, what are we to make of the Resurrection? If read as metaphor, of what? As allegory, with what hidden meaning, and why hide it to begin with? Does being born again free us from that “great background which our culture makes ready for us”?

    One of the most interesting books I’ve read during the pandemic is Shusaku Endo’s “A Life of Jesus” (Paulist Press, 1973). At its close, having written about the life of Jesus as actual biography, Endo returns to metaphor and allegory:

    Where Mark and Matthew have written that the whole earth shook when Jesus died, and that the high curtain split in two, the evangelists are not recording events which actually happened, but are rather expressing the lamentation of the disciples and their consternation at the death of Jesus….Did Jesus therefore accomplish nothing? Was Jesus simply helpless after all? Was God silent? Was the sky merely dull? In the end, was the death of Jesus really no more than the death of any other powerless ineffectual man?

    154

    And then Endo, when it comes to the Resurrection, puts the allegory to test:

    Did these events actually take place? Are they historical facts, things that really happened? Or is this a fiction produced by the early Christian Church, perhaps an episode written to inculcate through symbols the undying memory of the Christ?

    157

    Endo questions how the disciples could have behaved so cowardly during the crucifixion but later turn about and emerge as courageous martyrs for the fledgling church. Was there some incredible but undeniable event that explains their conversion? Yet, Endo asks:

    But the concept itself of resurrection – did the idea even exist in the age of Jesus and his disciples? And if it did exist, what did the concept actually involve?

    161

    But don’t go out and buy and read Endo’s book thinking he has the ultimate answer. Once one has proof, one no longer needs faith. And Endo, in his reflective conclusion, says:

    For all I know, there may well be an analogy here between their [the disciples] inability to understand Jesus during his lifetime and our own inability to understand the whole mystery of human life. For Jesus represents all humanity. Furthermore, just as we, while we live in this world, cannot understand the ways of God, so Jesus himself was inscrutable for the disciples. His whole life embraced the simplicity of living only for love, and because he lived for love alone, in the eyes of his disciples he seemed to be ineffectual. His death was required before the disciples could raise the veil and see into what lay behind the weakness.

    178

    As for broken ribs, my father once broke seven at once, buried in a cave-in, where he was crushed against a huge underground concrete pipe, a project he’d been working on, the deep ditch he was down in inadequately shored. I sent my friend with the recent broken rib a copy of the newspaper account, as proof. How my father escaped further serious injury is one of the mysteries of his life. From Midgley again:

    During the past century, philosophers have provided enquirers with one more alternative: mysterianism. This is the view that there are some questions which our minds are simply not fitted to resolve, and that free will is one them. In order to resolve this metaphysical puzzle Noam Chomsky adopted the name ‘mystery’ for these cases, apparently from a pop group called Question Mark and the Mysterians. He suggested that these unmanageable questions are not really problems at all but mysteries, situations in which scientists should stop saying (as they always do at present), ‘We do not have the answer to this yet,’ and should simply say instead, ‘This one is beyond us.’ He adds that this limitation is not surprising since the cognitive capacities of all organisms are limited, which indeed is true.

    Will this do? It is surely a relief to hear the learned admitting that there are some kinds of things that they do not and cannot know. But we need to ask next, which ones are they? And why?

    33
  • My Affliction

    Everywhere I look I see
    signs of the cross
    in telephone poles
    at the busy intersection
    of the homeless and
    the morning commuters
    in the brow of the woman
    wearing the human billboard
    advertising her three kids
    and out of work husband
    a veteran and a nice guy
    trying to get back on his feet
    after stepping on a landmine
    at the bottom of the cross
    and I don’t doubt it and wonder
    if she’ll take the afternoon off
    and drop the double sawbuck
    just handed her all in one place.

    I am tempted but the cross
    at the local church remains
    hidden behind a giant plastic
    boastful Jesus his coiffed hair
    combed and sprayed by the
    altar ladies with their flowers
    holy water and broken nails
    who come and go they have
    come and gone and still
    they come and go
    and carry their crosses
    quietly and secretly
    and do not advertise
    their own club afflictions
    and anyhow don’t allow
    admittance of my cross.

    Every Friday at three
    in the afternoon
    the altar ladies
    take down the real
    Jesus and put up
    the plastic one
    and Sunday after
    masses they hang
    the original back.

    Meantime at the bottom
    of the telephone pole
    at the crossroads
    the homeless gather
    to disperse the day’s
    take and affirm
    nothing is finished
    the kingdom never
    comes but the will
    is always done
    daily bread is not hard
    to come by not nearly
    so hard as forgiveness
    of debts and trespasses
    or deliverance from evil.

  • Ode to Joy

    Ode to Joy

    Old monk drunk walk garden
    olive way moon path nude
    blue light strain powder pouring
    bare feet stains red muscatel.

    On his rock sits Jesus eyes clear
    tell him of your life sans joy
    brave Brother Anhidonus oh
    fun monk too but without joy.

    Hung over herbs your Jesus praying
    not an only child was he
    resting for the weak of passion
    who find no joy in silent being

    feel no peace no happiness
    no light of joy no sound of joy
    for the ears no touch of joy no
    raised goosebumps on the skin

    no taste of joy sweet salty bitter
    no sour bites teeth the tongue
    no smell of joy stirs memories
    no prayer saturates the temperate.

    No joy found in going silent
    sing for your soup of certitude
    what has brought you not to
    here certainly cannot help now.

    “The cut worm forgives the plow”
    Blake sang now you at least may
    forgive yourself and drink to joy
    lost to joy abstained all these years.

    Walk out of this garden leave
    transcend all plants and animals
    there above where the angels sing
    awaits the turn of your perfect being.

  • Body of Christ and Body Politic: Notes on Luke J. Goble’s “Worshiping Politics: Problems and Practices for a Public Faith”

    In one of the early scenes of H. G. Wells’s “The Time Machine,” the Time Traveler discovers a group of Eloi lounging in the sun by a small river, bathing in the shallows. One of them, Weena, cramps and is caught in a rapid, and is in danger of drowning, but her screams are ignored. None of the other Eloi help her. They don’t even seem interested. They don’t seem to care. The Time Traveler saves Weena and learns the Eloi live lives of elite, privileged pleasure. But they pay a price. Each evening, the Eloi are summoned by a kind of futuristic church siren, a pair of giant doors slide open, and one by one the Eloi enter, walking slowly and devoutly into the underground home of the Morlocks, where the chosen Eloi are cooked and eaten. The remaining Eloi, after the siren stops and the doors close, without protest wander back to their pleasure dome to a dinner of luscious fruit and vegetables, never missing their lost ones. The Eloi have no religion and no politics.

    What do today’s Christians want, and why? And why would what today’s Christians want be any different from what anyone else wants? And what should Christians want, since they don’t all seem to want the same things?

    “Worshiping Politics: Problems and Practices for a Public Faith” (2017) is an even-tempered argument exploring the place and practice of politics as a consequence of religion. Definitions (what is politics, what is justice) are patiently unpacked and assumptions and predispositions brought to light and questioned within an academic shell (researched citations, references, extensive bibliography), but the text is written in an accessible, at times almost conversational, style. Written in the first person throughout, the book is carefully organized to include discussion of multiple opposing, diverse, or varying viewpoints. Each chapter closes with personal reflections and concrete examples of practices of political importance showing politics as a necessary, wanted, and useful element of daily life. The target audience is probably the thinking Christian, but as in Kwame Anthony Appiah’s “Cosmopolitanism,” which argues for a citizen of the world, a more diverse, broader audience is implied and addressed. The tone of “Worshiping Politics” is not arrogant or preachy. The occasion is not knocking door to door, evangelical Bible in hand. The book’s claims are challenging and their opposition anticipated, acknowledged, and handled respectfully.

    The author of “Worshiping Politics,” Luke J. Goble[1], a Harvard graduate, professor of history, and adoptive parent, does not simply break with the old convention of etiquette that advises one not to talk about politics or religion. He argues that religion is politics. To ignore talking about either is to miss the point in a vapid exercise of politeness. But to talk about politics and religion in a qualified academic argument is not to rant and rave, attack or scare, browbeat or arm-twist, inflict guilt or wish perdition. In any case, that’s not Luke’s style. Militant atheists might be surprised by this book, as might many militant Christians. We should not ignore, or worse, scorn, those in need of help, and, arguably, our politics and religion need help, separately and together. But how do we help a drowning victim if we don’t recognize a call for help when we hear one, or we can’t swim either, or we just don’t want to get wet, or when we do jump in and reach them they are in such a panic they drown us with them?

    Common words and terms are carefully qualified: “Based on my emerging definition – that politics means engaging in the process of debating, negotiating, and pursuing the good of a particular community – and by almost any definition of church (other than a building), it should not be difficult to grasp the political nature of church. If church is a kind of community with a common call, goal, or good, then participating in that community is inherently political.” That is what effective argument does – defines, specifies, draws a field of play. Goble references the Bible, but his book is not simply a collection of biblical quotes selected to create a convenient credibility. Whatever else it might be, the Bible is a historical artifact, and Goble uses it for proof and backing of claims in a historian’s voice. For some readers, Christian and non-Christian, this might come as a kind of revelation, that the Bible is not necessarily read literally, that there are insider questions regarding how and when its books were written, and why, and how some writings came to be included and others left out, while at the same time the Bible does provide historical evidence. The Bible is history, or at least a part of history. That the Bible is interpreted in various ways and often used for what might seem cross-purposes should come as no surprise; the US Supreme Court interprets the US constitution – no one questions the historical fact of that constitution, but what any part of it might mean today is backlogged with case reviews.

    Early in Goble’s text, five foundational claims are examined: “1. The Bible is political 2. Jesus was political 3. The gospel is political 4. The church is political 5. Christians are called to be political.” But if everything is political, what remains? If “Come follow me” is a political invitation to vote one’s religion, how authentic are the called who only vote, or vote their conscience, as the saying goes? Of what is the conscience made? But Goble isn’t talking about simply voting, or voting at all. He’s talking about living a political life as an outgrowth of the religious life, what he calls a formative life, which, in one sense, means making an existential decision to break from one’s learned, emotional reasoning to reach a more clear understanding of why and how one thinks and behaves and what one wants to do and how to go about doing it. Formation is not an easy process. We are easily and naturally formed, but our formation does not necessarily inform us. We are rather like the Eloi. When the siren goes off, we get in line and follow. We don’t always choose what is good for us or for others. We may not know what is good for ourselves or for others.

    “When it comes to negotiating power and pursuing the good of a community beyond ourselves (i.e., politics), we are deceived about our capacity to be fair, honest, and objective. So, while most of us tend to represent our political views and activity as what is best for the community (or country) overall, we are not very good judges of what is good for others” (30).

    Central to his argument about how we think and behave (what informs decisions such as how we vote or who we help or who we scorn), Goble closely examines Jonathan Haidt’s work on decision making informed by rationalizations and justifications that suit us comfortably, that make us comfortable with our decisions and behaviors. Conscience is a deeply embedded magician performing sleight of hand tricks we come to believe are real.

    “We are not as good as we think we are. Our behavior is conditioned by factors like 1) our natural propensity to want to be liked by those around us, 2) our need to protect the group(s) that comprise our core identity, 3) our desire to preserve our current self and path unless otherwise forced, and 4) our need to be ‘ok’ with our existing behavioral patterns and our ability to find ways to do so. In the studies referenced by Haidt, these conditioning factors all take on a negative light. But the same propensities can also make us the kind of human beings that can live well in community – to seek compromise, to build commonality, to operate according to convictions. What they show most of all is that we are creatures whose deep feelings drive our behavior even though we think it is our reason” (42).

    Or we don’t think about it at all. We behave first, then we create a reason that seems to give that behavior some kind of sense. We do something similar when judging or trying to explain someone else’s behavior. What were they thinking? Likely they weren’t thinking at all. Their siren went off and they behaved accordingly, according to assumptions and predispositions so deeply rooted they are not thought out at all. This may be particularly true of religious behavior, which presupposes and assumes good. If we behave a certain way for what we or others take to be a religious reason, that behavior must be good.

    “Does that mean people of faith operate under an illusion of moral superiority? Does it mean that religious convictions do not have anything significant to contribute to public justice or cultural mores? I would say yes and no. Yes, sometimes people of faith operate under an illusion of moral superiority. Research in moral psychology seems to defy any claim that beliefs or religious identity labels are accurate predictors of behavior. But perhaps convictions that come by way of belief also have something significant to contribute to the ways in which our deep feelings are formed, and subsequently the kinds of actions that emanate from those ways of being formed” (43).

    Goble’s book, an argument that religion is politics and politics means caring for others, “opening up to the interests and circumstances of others” (57), takes turns that lead down paths of psychological work; historical precedent and interpretation; practical applications for regular community exercise; works of classic and contemporary philosophy; popular expressions of contemporary life (for example, scenes with dialog from the television series The West Wing); scripture and the history and practice of reading, studying, and passing down scripture, his discussion of Talmudic study compared to contemporary Christian reading of the Bible, for example: “…when we read the Bible, we don’t typically read the most important interpretations or debates alongside” (57); and his own personal reflections from his experience of “living in the world,” of “being in the world.”

    How does one be in the world, working outward from nature to self to family to community to state to a world where one feels safe, and why does being in the world often seem so fraught with conflict that all we can think to do is run and hide to the supposed safety of our own affective emotional constructs? Or, as Appiah puts it in “Examined Life”: “There’s a certain kind of philosophical universalism, which is often associated with evangelizing religions, where, yeah, we love everybody but we want them to become like us in order to love them properly. There’s a great German proverb, which says, ‘If you don’t want to be my brother, I’ll bash your skull in’…And that’s the opposite of cosmopolitanism. It’s the universalist who says, ‘Yeah, I want you to be my brother, but on my terms,’ whereas the cosmopolitan says, ‘I want to be your brother figuratively, your fellow citizen, but I don’t make it a condition of that that we come to be the same’” (p. 92 of the text of the film). And “but the Bible says,” regardless of what we might think it might say (i.e. how we interpret and determine what’s most important in the Bible), is an inadequate response.

    “Once certain connections between guiding narratives and political dispositions are made explicit, it is easy to see how political biases shape interpretive choices…the tendency to interpret Scripture according to intuitive frameworks of meaning but to see and declare our own interpretations true, absolute, and unchanging. Our intuitions lead us to choose different narratives to emphasize. This approach leads to deadlock and disunity among Christians, not to mention a confusing and compromising witness to those who put little or no authority in Scripture to begin with” (back to “Worshiping Politics,” 56).

    At least one reason some citizens may give no authority to Scripture might be found in the history of the Church. One is tempted to take the metaphor to its rhetorical end, its reductio ad absurdum, the body of Christ so infected by the worms of heresy and hypocrisy it is now a skeleton hanging in the closet of a high school biology class, a dried up framework that without muscle supports nothing. Goble recognizes the fickleness of the Church though the centuries: its WASP-ish table settings; its compromises, treaties, or concessions; its contradictions; its inquisitions – in short, how for many of the world’s people, the body of Christ has been either a turned back or an experience of acculturation. That history though is fascinating reading. Goble’s book includes a survey of changing church paradigms over the centuries, including “the early church, the early Roman Church, the medieval church, the Lutheran ‘Two Kingdoms’ model, Puritan Theocracy, Kuyperian Calvinism, Christian Realism, Amish/Anabaptist Sectarianism, Christian Anarchy, Liberation Theology, Yoder’s Middle Axiom Model.” Readers may begin to wonder what held the body of Christ together throughout time and the world, the good news continually subsumed by the bad.

    “Not only has theology excluded voices, but like other forms of dominant discourse, it has participated in constructing and maintaining structures of power. A huge blind spot in each of the previous paradigms is in the conception of the social body or society itself. Taking society or ‘the world’ for granted without thinking about the political implications for those who do not wield dominant power, essentially multiple societies or social bodies, is a gap in the paradigms that come after the Middle Ages” (116).

    It seems ordinary members of the faithful may have over time held more sway than Church leaders in restoring what health we might find currently in the body of Christ.

    “Corresponding with the cultural and national liberation movements that came about after World War Two, new spaces of reception opened up for previously marginalized voices in theology. One of the most important developments out of that milieu has been liberation theology. In short, liberation theology grew out of the struggle for justice by Latin American peasants who had long experienced marginalization in all aspects of society – politically, economically, and spiritually by the (mostly Roman Catholic) church. Many Catholic priests, already living and working in solidarity with the poor also recognized the contradiction that the gospel should be ‘good news’ for the poor, yet the institutionalized church and other forms of power in society that it reinforced were not good news at all” (116).

    Who were these Catholic priests (and nuns), where did they come from, and from what were they formed and how were they informed?

    “Our political behavior is not thought or even taught but ‘caught’ – meaning it is shaped affectively and, at least to some degree, out of our control” (31).

    At the end of Wells’s “The Time Machine,” the Time Traveler, having returned to his present and met with some friends and told his story of the future, decides to return to the future: “I came back through the corridor. The Time Traveler met me in the smoking room. He was coming from the house. He had a small camera under one arm and a knapsack under the other.” Wells did not tell his reader what was in the knapsack. In the 1960 film version of “The Time Machine,” staring Rod Taylor and Yvette Mimieux, it’s suggested that the Time Traveler takes with him back to the future two books. In the film, the Morlocks are destroyed in their underground caverns by a giant fire fed by the Time Traveler assisted by the Eloi. The Eloi will now no longer be food for the Morlocks, but they will now have to care for themselves, take care of one another, work, worry. The addition of the question of what books the Time Traveler selects is an interesting Hollywood edit to the Wells text.

    The Time Traveler wants to help the Eloi. But then why would he take anything in his knapsack from his own time, his own time having proven to be such a disaster? If there is good in the world, where and what is it? Is what’s good for Christians also good for non-Christians? Goble explores good and justice and explains why we should be careful imposing our own values of what is good or just on others. How do individuals influence the future, their own or that of others? What is the extent of an individual’s influence over religion or politics? How can we be sure our actions in the present are good for the future?

    “Belief in the lordship of Christ allows for patience, peacefulness, hope, and sacrifice now. It allows for Christians not to try to force peace through violence, justice by imposition, or well-being through coercion” (129).

    There is in Goble’s book a dichotomy at work that readers may find puzzling or problematic. That isn’t Goble’s fault; it comes with the territory. In one sense, the dichotomy is shown in Augustine’s “two cities,” the City of God and the City of Earth. In another sense, the dichotomy might be seen in the insistence that Christians maintain a distinction from other entities also working toward good and justice. And here not that their ideas of good and justice might be different than secular ones, but that the impetus to work toward them “should flow out of our [Christian] identity and not our ambition” (128). That, because the Christian’s identity presumably includes the idea of a happy ending for the good. Phrases like, “…the last thing, the end event, when the Lordship of Christ is full realized” (129) may sound a bit mystical or esoteric to the general reader. Metaphor is always at work. Words like kingdom and lordship suggest a state and subservience to that state as well as class distinctions, from peasant to knight. These are images that enable views. Goble wants to make sure his reader understands he is “not a biblical scholar” (129). (Had me fooled.) Readers might also feel a dichotomy between the old and new testaments. Thomas Merton said that God is un-seeable, unknowable, almost unthinkable – that we can only approach an understanding of God through our human images or symbols or rituals – but those images are human images. They’re not wrong, but they are human-made and serve only a human purpose. Yet there are times the word God appears in Goble’s text as if God’s a go-to-guy. Goble acknowledges that language translations and cultural contexts add to our confusion. Is God’s love for his people a human love or divine love? Does God love everyone, or only his chosen ones? Another dichotomy. We can add love and God to our list of difficult concepts to unpack: good, justice, love, God. God so loved the world that he sacrificed his only son. What the hell kind of love is that? I have seen many sons sacrificed by their fathers, beginning with Vietnam, some on the battlefield, others at the kitchen table. But I digress. Onward, Christian soldier.

    The last chapters of Goble’s book are the most difficult, not to read, but to reflect upon, to perhaps put some new way of being or thinking into practice. The arc of the book is threaded. We see how we are predisposed to think and behave and we learn to self-justify our dispositions. We then see examples of that at work in history, philosophy, popular culture, psychology. We then discover how we might work to change our dispositions, change ourselves from being driven by emotional affective design toward being more intentional about how we think and behave, about who we are. Here is an example of the book’s arc. This is just one thread. Goble talks about how we self-deceive: “We are self-justifying creatures who construct narratives about the world necessary to maintain the views of ourselves that we hold” (41). We might think the more educational experience we gain the less likely we would be to self-deceive and be forced to self-justify, but Goble cites research that shows “IQ and education levels do not markedly improve one’s ability to see an issue more objectively, but they do increase one’s capacity to support and defend one’s initial judgment. In other words, greater intelligence or education can help us defend our ideas better, but they do not necessarily result in better thinking” (39). Those quotes are from Chapter 3: “The Problem of Self-Deception.” In Chapter 10, “The Problem of Practice,” the thread of how we think is picked up again, under the sub-heading “Against Closed-Mindedness”: “Intellectual humility describes perfectly rational, disinterested truth-seeking, involving openness and willingness to accept information because it is true…involves an established sense of one’s self and worth apart from how one’s intellect, accomplishments, or legacy are viewed, and a genuine intrinsic concern for knowledge and truth” (165). Since most of us are probably not intellectually humble, but we might agree such humility might make us more effective working and being with others, the question becomes how do we intentionally change our dispositions. Related threads that form the arc include “self-promotion, tribalism, self-justification, self-deception” that “are [not] easily overcome by the cultivation of counter-virtues through material practices” (166).

    Goble’s book concludes with an existential examination of formation. Existentialism suggests that existence precedes essence. That means we are born into a circumstance and predicament not of our choosing, but we do have a choice – to decide for ourselves what the essence of that existence might be. For cradle Christians (those born into a Christian circumstance and predicament), that choice can be profoundly difficult. A Franciscan Friar once told me Catholicism was not a religion for children. I thought, then I might want to stay a child forever. As an existentialist, I might successfully make that choice. But Goble suggests the Christian’s choice is not existential, because “Desire for God is not willed, it is a gift” (172). “How [then] does [intentional] formation happen?” (172).

    Goble’s idea of formation does seem to share with the existentialists the idea of freedom. It might seem paradoxical, but he seems to think that belonging to God differentiates in a way that creates a freedom from the world that continually works its formation of us without our approval or even awareness. Borrowing from Jesus’s prayer for his disciples, Goble says Jesus is saying something like don’t mix up me with “where you live, who you are with, or the trappings of religiosity or culture that you might mistake for me” (190). In other words, we might want to be very careful with the alliances and treaties we make with the powers that be, because we will be formed and reformed by whatever accommodations we might make. It’s not enough to be born again once. If you really want to be a Christian, you must be born again every day. The existentialist also renews the choice of essence, of existence preceding essence, on a daily basis. The Body of Christ must be very careful not to get too cozy and fall into bed with the Body Politic. Goble summarizes this problem: “How can the church faithfully engage the world while still being set apart? Being in the world makes being formed by the world inescapable. Withdrawing from the world makes engagement impossible. Wherein lies the balance?” (193).

    That’s an important question, because one wants to maintain one’s freedom. In the last chapter, Goble provides an example, what he calls a “Model for the Moment,” of a possible balance. The example involves Embrace Oregon, a coalition of diverse forces attempting to care for the needs of orphaned, vulnerable children. “Real relational knowing is mutually formative, and only by being formed by significant relationships with those who are ‘other’ in multiple intersectional ways (race, class, gender, socioeconomic, class, education, nationality, language, sexual orientation, religion) can we live out a culture forming faith. There is always a dynamic movement between formation and culture creation” (200).

    The text of “The Time Machine” suggests a characteristic of the Eloi not seen in the film version referenced above. In the text, the Eloi are little people. In a sense, they are children, or they are like children in that they are completely vulnerable. Their caretakers, the Morlocks, care for them. It might be said that the Morlocks may even love the Eloi, but the Eloi are not free.

    In Goble’s very last “Practice,” he says, “Cultivate and struggle for relationship in the face of rules that remove, economics that exclude, addictions that alienate” (207).

    I don’t know if H. G. Wells, in naming the Morlocks, had in mind the biblical Moloch, but it seems likely he did. Goble recognizes the need for Christians to work with the Morlocks to free the Eloi, without themselves becoming coopted by the Morlocks, becoming a new Moloch, or putting the Eloi at risk of a new captivation.

     

     

     

    [1] Disclosure: Luke teaches at Warner Pacific College, where I’ve done work as an adjunct instructor.

     

     

  • Learning to Deconstruct Finally

    Derrida seems satisfied if not happy with his contradictions, with having learned finally to live with them unencumbered by any implicit criticism. His primary concern in his last days appears to have been what comes after the final act of writing. After all, “there are, to be sure, many very good readers (a few dozen in the world perhaps, people who are also writer-thinkers, poets)” (34). Were he a blogger, would Derrida be thus assured of 36 followers? Jesus had only 12, but even they were not always reliable.

    Can a writer ever finally trust any reader? Part of the problem seems to be that readers do have an unconditional freedom to read from their own particular singularity, always peculiar. It’s all they can do, as general readers, apart from the 36 carefully selected followers, who must leave their families behind. It’s not that whatever you say will automatically be misunderstood, but that conditions of freedom vary among individuals. But Derrida says at the same time, “You don’t just go and do anything with language; it preexists us and it survives us” (36). For Derrida, deconstruction was a form of “self-critique” (45). Before “learning to live finally,” one must deconstruct oneself.

    In his idea of “The University Without Condition,” Derrida wants “absolute claim to an unconditional freedom to think, speak, and critique” (48). The presumption is there are conditions set by “political or religious power” (48). Kant’s solution that scholars be free to say whatever they want as long as they keep it in the University was not enough for Derrida. But the philosopher who leaves the University becomes an outsider, a blogger, as opposed to a scholar. Not that it matters, because

    “…you do not know to whom you are speaking, you invent and create silhouettes, but in the end it no longer belongs to you. Spoken or written, all these gestures leave us and begin to act independently of us.” (32)

    Jesus spoke to a general audience, asked for similar unconditional freedom wherever he happened to be located, but he was ready to give to political power what belongs to political power, while Christianity too often has turned into a University that, like the University of Kant’s that Derrida points out, is only free on its own grounds.

    Any notion of finally can only be fantasy; life goes on with and without us. What happens finally is the words stop coming, we stop thinking with words, and must figure out some other way to deconstruct.

    Learning to Live Finally: The Last Interview [with Jacques Derrida]. Melville House, 2007. 95 pages, including a 27 page selected bibliography of works by Derrida published in English.