Tag: Imagination

  • The Cherry Trees

    Winter passes when the cherry trees blossom. Passersby frequently pause to view the blooms from various angles and take photos with their phones. I wonder what the viewers feel or if they make a note to come back summer to pick some cherries. Of course these street trees across from our place are ornamental flowering cherry trees that don’t bear fruit. Some consider the ornamental a waste; others think it’s art. Here’s a photo of flowering cherry branches across the street, above a set of nonfunctional benches – some consider those art, too:

    Just before leaving England for France, where he would die in the Battle of Arras (1917), the British writer Edward Thomas turned from prose to poetry. Here is his short poem titled “The Cherry Trees”:

    “The cherry trees bend over and are shedding
    On the old road where all that passed are dead,
    Their petals, strewing the grass as for a wedding
    This early May morn when there is none to wed.”

    Here are two photos of cherry trees near an old path in Mt Tabor Park:

    The Minnesota poet Robert Bly talked about nature’s capacity to send and receive images in transference from object to subject back and forth. The cherry tree in blossom might leave its image resonant in focus in the viewer’s consciousness. Not only the image, but what it felt like in the moment of sending and receiving, and Bly talked about how poetry might reconvey that image and feeling.

    “Descartes’ ideas act so as to withdraw consciousness from the non-human area, isolating the human being in his house, until, seen from the window, rocks, sky, trees, crows seem empty of energy, but especially of divine energy….

    As people begin again to invest some of their trust in objects, handmade or wild, and physicists begin to suspect that objects, even down to the tiniest molecular particles, may have awareness of each other as well as ‘intention,’ things once more become interesting.”

    “News of the Universe: poems of twofold consciousness,” 1980, Sierra Club Books, San Francisco, pp 4-5.

    Bly referred to the transference of consciousness idea using the poetic term deep image. Some might consider the ability to so access such images an affliction of the imagination. However it works, the cherry trees in spring seem to attract more than bees, and the pollinators are certainly responsible for more than honey. Here is another photo of one of the cherry trees in Mt Tabor Park, this one accentuated by the surrounding shades of green:

    Walter de la Mare chipped in on the cherry tree theme with his poem “The Three Cherry Trees.” He reflects on the passing of both blossoms and viewers. Here is the last stanza:

    “Moss and lichen the green branches deck;
    Weeds nod in its paths green and shady:
    Yet a light footstep seems there to wander in dreams,
    The ghost of that beautiful lady,
    That happy and beautiful lady.”

    Cherry Tree above Reservoir #5 in Mt Tabor Park

    A. E. Housman seemed to conclude waiting for a tree to blossom one might miss the ongoing opportunity to catch other images of that tree. From his poem about the cherry tree titled “Loveliest of Trees”:

    “And since to look at things in bloom
    Fifty springs are little room,
    About the woodlands I will go
    To see the cherry hung with snow.”

    Images don’t always come with sound. Here is a four second video of cherry blossoms in a wind:

    Cherry blossoms in a wind, Mt Tabor Park
  • The Lemon Wheelbarrow

    this feeble wheelbarrow teeters
    under its formidable load
    of yellow lemons

    on the menu lemony chicken
    skewers with cherry red
    tomatoes

    and small golden potatoes
    yellow onions lemon thyme
    and imagination

    that must feed a world
    of wobbling toddling
    wheelbarrows

  • The Red Wheelbarrow in Spring and All

    Human imagination is part of nature, turning light into food, like photosynthesis in plants. Imagination is a natural process that needs no teacher or school, theory or method. Thus poetry should not become a profession, nor should a poem profess anything, nor should poets become professors. Most formal education activity turns subjects into sports and competition. Imagination is not competitive.

    We might see that William Blake, in his “The Marriage of Heaven and Hell” (1790), explains the imagination as a natural means of protecting the human from an onslaught of reality:

    “1. Man has no Body distinct from his Soul. For that called Body is a portion of Soul discerned by the five senses, the chief inlets of Soul in this age.

    2. Energy is the only life, and is from the Body; and Reason is the bound or outward circumference of Energy.

    3. Energy is Eternal Delight.”

    William Carlos Williams associated the season of Spring with the imagination. It’s in his short book titled “Spring and All” that we find his now famous poem called “The Red Wheelbarrow.” But we’ve been reading that short piece sort of “à la carte,” or slightly out of context. It appears in “Spring and All” as a numbered poem in a series of poems interrupted in several places by Williams’s prose discussion about what he is doing and why in the way of poetry. There are a total of 27 poems in “Spring and All,” and “The Red Wheelbarrow” is number:

    XXII

    so much depends
    upon

    a red wheel
    barrow

    glazed with rain
    water

    beside the white
    chickens

    “The Red Wheelbarrow” appears in “Spring and All” on page 138 (Part II: pp 88:151) of my copy of Imaginations (New Directions Paperbook 329, 1971):

    pp. 138-139 from “Spring and All” (1923) in Imaginations (NDP329, 1971)

    Reading “The Red Wheelbarrow” in the context of “Spring and All” we begin to see how Williams invites the reader’s imagination to absorb the image. It is a well-lit poem. A painting is suggested, and the imagination creates the image (food) from the juxtapositions of color and light and things placed as if by hands (red, white, wheelbarrow, water, chickens, glaze), but will the chickens sit still? Probably not.

    Susan with Chicken (Susan is on the right) 1952