Tag: Halloween

  • Halloween 23

    One of the lab techs is dressed as a witch, black hood and black full length cloak over white scrubs, masked, black witchy boots. No one else seems to be in obvious costume, other than their regular rigs, but a gargantuan pizza delivery dude has just come into the waiting room carrying a stack of four extra large pizza boxes. Halloween pizza party at the lab. But I’m on a fast, preparatory to a blood test, so I probably won’t get a slice of pizza, even if offered. Meantime, waiting in waiting room, pull out the phone and start a Halloween post.

    Mind-wandering. Outside, the last, forecast says, of a short string of sunny days, fall crisp and cool. Yesterday in morning sun south slant long walk in the park up and down trails around the rim during which I kept my phone running on a live Instagram video. The result was grainy and I’ve since deleted it, but a few viewers dialed in during the walk. I enjoy Instagram videos on location. In this week’s London Review of Books, an article mentions Albert Camus abhorred travel. I get that. But he did make a trip to New York one year. I’ve never been to New York. Maybe some day, if I ever get out of this lab.

    A voice keeps calling out names, every 30 seconds or so, more names than waiters. I’m beginning to…my name just called! I was about to suggest they were fake names, called out to give the rest of us some piece of hope, if not a piece of pizza. Alas, all they’ve done is check me in, and now I’m back waiting, names still filling the relatively quiet waiting room air, a canned music piano falling from the ceiling, the only other sounds the intake clerks quizzing patients their birthdate, address, doctor’s name, and such, for form’s sake. Another Joseph just called and I start up, but wrong last name initial. Some of the clerks call out first names only, others first name and last initial. I’ve not heard a last name called out. Several calls repeated for patients who have apparently given up the wait, dare I say, this Halloween day, given up the ghost.

    Should have brought a book with me to the lab. What am I reading? Natalia Ginzburg’s The Road to the City, one of the specialty ND books I bought awhile back – you’re supposed to be able to read them in a couple of hours, but my wandering mind disallows such taking it straight consumption, so I’ve been reading a short chapter each night before sleep. The new Dylan book, absurdly big heavy compilation of bits and pics and notes from the archives at the Bob Dylan Center in Tulsa along with heady new essays from solicited writers. I first heard of the book from Alex Ross’s blog, The Rest is Noise – Alex has an essay in the new huge Dylan book. Ah! They’ve called my name again, this time for the escort deep into the lab, into the land of vials and needles. And suddenly back home, the whole lab episode taking no longer than an hour or so. And here I am, breaking fast with a bowl of cereal, banana, and finishing off a bag of leftover potato chips. Also reading, typing while I eat (to finish this thread, started back at the lab), The Dinner Party, a book of short stories by Joshua Ferris, which I pulled out of the corner library box sometime ago but only recently opened, started reading, and found he’s pretty good – urbanely witty, reader friendly, realistic. His themes include relationships and communication and miscommunication – misunderstandings that lead one problem to another, a bit of slapstick thrown in. I’ve only a couple of stories to go to the end. Most of Ferris’s characters would probably have not read How to Know a Person, the new book just out by David Brooks, which I was inspired to give a chance after seeing Brooks on the PBS News Hour a week or so ago talking clearly about the Middle East quagmire (to give it a Vietnam era name, which refers to the politics, not to the human disaster, for which a name has not yet been invented), as was Jonathan Capehart, clear and articulate, that is, Brooks’s supposed opposing viewpoint, but not so much. Anyway, I’m in Part One of the Brooks book, titled “I See You.” Now you see me, now you don’t. A magician’s trick. And a half a dozen or so other readings lying around here there and everywhere, work in progress, if you can call it work, reading, it’s not, unfinished, it’s play.

    Going to take a break from this writing now and work on my costume for tonight.

    Still later. Was joking about the costume. No costume. The day is ending, the evening come and gone, night now. No trick-or-treaters this year. Left the porch light off and watched Game Four of the World Series. After the game walked outside to see the night sky. A car pulls up down the block, stops in the middle of the street, lights out and flashers come on, and a couple of costumed characters alight and walk up to the only house on the block with holiday lights on. I head back inside. Play some guitar. Solo Halloween night. Then I return to this post and come down to this point, consider deleting the whole thing, like I deleted that Instagram walk video, for the same reason, too grainy, but I didn’t, obviously, do that. I think I’ll take a book with me to the next lab work appointment. Stay off the prose. Still, there’s something positive about mind-wandering. It’s a good antidote to all this live in the moment and give it your full attention pressure, the mindfulness movement. Playing guitar earlier I even started a new song, tentatively titled “Mind-Wandering.”

  • A Modest Halloween Proposal

    A Modest Halloween Proposal

    It sometimes seems clear if there is an afterlife it does not interfere with present life. But what is present? The light from our sun is already a little over eight seconds old. We sunbathe in the past, confident in a present we never quite seem to fully inhabit (physics explains it’s perfectly possible to split infinitives). Where then do we go? Maybe time is a question of physics, maybe of metaphysics – the things that may come after the physics.

    The dead seem an extremely polite bunch. They do not intrude. Looking for them is like searching for aliens. We may feel their presence, approach them with the telescope of faith, but if they exist, somewhere-somehow, that life lies far far beyond the present five senses. To prove an afterlife, if we want to believe in ghosts and such, we must create a sense beyond our given five.

    William Blake noticed angels out and about. Rilke claimed to have seen one. What is it about poets that make them easy prey for such notions? Wouldn’t it be a bit frightful if the first aliens the astronomers discover turn out to be previous earthlings? The problem with communicating with the dead may simply be the length of time their message takes to reach us. By the time the first message from the first dead reaches Earth, we may all be gone. What would the message say? Trick or Treat?

    I take no issue with the dead. Nor am I looking forward to meeting any aliens. Let them keep their distance. My problem seems to be sugar: to wit, candy – the Halloween tradition (in these parts).

    This year, instead of passing out candy, I propose to hand out poems. Short poems printed on three by five cards, maybe with a cartoon or drawing on one side of the card. I’ll drop a poem card into every little critter’s Halloween basket. No candy. No sugar.

    But when I mentioned the idea to Susan, she said, “We’ll get our house egged for sure.”

    “You think? With the cost of dairy these days?”

    “And the parents will accuse you of poisoning their kids with poetry. Besides, Halloween cards are nothing new. And poetry, while sugar free, is still very high in carbs and calories, not to mention saturated and trans fats.”

    So much for my proposal. I guess we’re sticking with candy.

  • Costume Chitchat

    A Cat's Halloween Costume
    “Are you going incognito again for Halloween?”

    “For Halloween this year,
    I’m going as myself.
    No one will recognize me.
    Won’t that be scary?”

    “Last year, you might recall,
    I went happily as you,
    boo-b00ing and who-wh00ing
    up and down the haunted block.”

    “Once, I went as my father,
    and was tricked to snake out
    a bewitched litter box.
    Dad thought that was a treat.”

    “I used to go as my mother
    and stay home and pass out
    the treats and clean up
    after the tricks.”

    “Remember the year you dressed
    as an octopus? Your purple pelisse
    swept the falling leaves, the swish
    the only sound across the street.”

    “It’s been my habit lately
    to sneak out as a house cat,
    playing with the position
    of my ears and tail – Purrr.”

    “Well, for Halloween this year,
    I’m going as I am.
    No one will know me.
    Won’t that be ghostly?”

  • At the Pumpkin Patch

    Pumpkin Man

    The frizzled farmer pushing the pulling, tired draft horse,
    his jeans ballooning like pantaloons pinched into rubber boots
    sunk and stuck like squash in the shallow fall mud,
    his arms swollen loofahs lifting pumpkins up to the children
    riding on sweet smelling, dry hay bales in the wagon,
    has a “Head like a prize pumpkin,” as Joyce’s Bloom thought
    of Tom Wall’s son, and Tom, the frazzled farmer,
    declaring this his last pumpkin patch harvest,
    prods the horse (whose name is Wally) and wagon to a stop.

    The pumpkin picking party hops to the ground and disperses,
    and the children caper around the pumpkin field,
    Papas and Mamas and Nanas snapping photos orange and blue,
    until the farmer calls the pumpkin pickers back to the wagon.

    The farmer is a frayed man, his wife explains to a group
    waiting patiently at the scales, fretting this pumpkin crop falls sparse,
    but that’s just his way, and anyhow, who can talk at a time like this,
    all these potential faces, all fat orange cheek puffed, twist handled hair,
    heads picked and packed, jugs full of orange pie mash and seeds?

    Out in the pumpkin patch, empty faces pass into ooze,
    a few pumpkin seeds carried up by blackbirds
    and dropped in the next field over, that fallow acre
    empty of people picking and parsing
    for the right ripe pumpkin, the perfect possible
    face, in bed of wet gray hair, muted mouth,
    flute feature deadpan face.
    A field of plump birds erupts in applause
    as a curtain of spitting rain starts to fall.