Tag: Comics

  • All A Draff

    All a draff 
    a draft
    raking thru
    the dregs
    adrift
    adrift

    I am not a robot
    Motorcycles
    Traffic Lights
    Buses Adrift
    No schedule
    No route map

    To the Dark
    Sidereal
    I am not
    Art I Fish All
    and dreg up
    cups bottom

    Cross Walks
    To & fro
    each cross
    its own horizon
    where the sky
    meets the water

    geometric requirements
    Social Skills
    (any skills
    for that matter)
    Marriage Classes
    Reading Glasses

    I had a friend
    Who had a friend
    I did
    befriend
    But that's not how
    I then met you

    They were discussing
    Punctuation &
    Grammar by which
    They meant
    To say nothing of
    The Endgame

    Which caused me
    To think of you
    Your dust at sea
    All along the edge
    Where things fall
    Off the way things go

    and pile up
    one thing
    on top of
    another
    akimbo
    a draff

    adrift
    nimble-fingered
    tho rathe
    rather nippy
    nimble
    masterly

    Anyway we
    We were talking
    About what
    Hard to know
    A flow
    Of pics & tics

    That's not true
    What I sd earlier
    When I sd I am
    Not "a machine resembling
    a human being and able
    to replicate certain human
    movements and functions
    automatically.

    'the robot closed the door behind us'"

    I am a robot
    Forced to crawl
    Adrift across
    Back and forth
    Sweeping up
    After you

    Pic after pic
    Falling
    Failing
    Fishing
    Adrift
    A draff draft

    A daff
    Salt water
    Taffy
    "she told me that my music
    was perfectly wonderful,
    and taffy like that"

    "according to R.U.R. management
    the robots
    do not 'like'anything."
    Are you are
    or Are you not
    a robot

    I'm not now
    Sure
    But years
    Have pissed
    And still
    I'm here a bit

    But true a
    Drift a draft
    Replaceable
    In War with the Nerds
    Dork and Dweeb
    Figure prominently

    Dwork wants
    To go Rome
    Deeb reminds
    They don't have
    Stars on their
    DL's

    Here a bit
    There a bot
    Everywhere
    A bit bot
    To boot
    To turn up

    A turnip
    In yr pocket
    Proves yr not
    A total android
    A mess on some
    Scientist's bench

    Turn on
    Tune in
    Drop out
    "During his last decade, Leary proclaimed the 'PC is the LSD of the 1990s' and re-worked the phrase into 'turn on, boot up, jack in' to suggest joining the cyberdelic counterculture."

    Drift on
    Draft in
    Draff out
    Right on
    Write stuff
    Write Off

  • Site Has a Thousand Smiles

    Just what the on-line world needs, another Joe Linker site. But while The Coming of the Toads blogs onward, I continue to doodle, and the results often suggest cartoons. A perfect cartoon is one that needs no words. Thus my new site, titled “Cartoons at Joe’s,” promises: “The less said the better, but there will be captions.” Interested readers, anyone looking for a smile, can find “Cartoons at Joe’s” by clicking here. It’s over at Substack.

    The set up for “Cartoons at Joe’s” is minimalist, the writing sparse. And the readers few – so far 3 subscribers. Subscriptions are free, but at the cost of yet another email in your inbox. But the reward of a smile hopefully defrays that cost. But you can also check out “Cartoons at Joe’s” anytime you want with a Google bar search, or by saving the link, or a thousand other ways well paid programmers have come up with. I’ll be sitting at the bar, where there’s no wait.

    You might have seen a few of the cartoons before, elsewhere, here, in fact, maybe. That’s ok. Watching reruns of classics is a perfectly acceptable use of your time. And I’ll always be doodling for new cartoons.

  • After the Fall

    After the fall before it was all
    over knowing all along wrong
    from the start belief belittled
    after awhile persistence paid
    well and the interlude did not
    feel like a slump who sat still
    felt trapped and everyone all
    worked overtime all the time
    along the line here and there
    a smile a smell a breeze even
    if the windows wouldn’t open
    not there not in that building
    which like a fortress ship full
    of pink dresses tight collared
    pinched and pitched swollen
    with wariness almost fearful
    slow not quite sure diagnosis
    acute nervousness jim-jams
    and on pajama day all asked
    who sits here without benefit
    of knick-knacks pics of all the
    kids the stout spouse keeping
    house and at the all sporting
    game asked in all seriousness
    why do you all do what you
    do and all could answer the
    question without already all
    knowing the answer plainly
    clearly concisely in the land
    of milk and honey hidden
    behind partitions attached
    to all the others in confetti
    filled aisles tolerable hours
    what a waste they all said
    their baskets full of bread
    but in the end the trends
    the lines of best fit all fell
    it was all about math all
    along days numbered fell
    they all fell and in falling
    looked for a place to land
    without breaking in pieces
    some fell up some fell down
    the ones who often played
    the clown cried and claimed
    all fell and all broke in the
    office of the one doomed
    it was like after a war all
    fallen astrew forced hands
    held together with screws.

  • What to do

    “Nothing to be done,” Didi and Gogo bicker, essentially about what to do, like an old couple of a long suffering, loving marriage. Nature is no refuge; the one tree in their world seems sick. They can’t go anywhere, for fear of missing their appointment with Godot. They hang out and talk, express various physical complaints, visit the past, ask questions they can’t answer.

    The play, Samuel Beckett’s “Waiting for Godot,” is famously about nothing. Nothing fills the stage, informs the dialog. If they carried cell phones, their batteries would surely be dead. In any case, they’ve no one to call, and no one to call them.

    The two (often described as tramps, bums, or hoboes of some kind, clowns of some sort, lost from their circus, or stripped to being human without diversion down-and-outs) might be among the last few of a pandemic, or simply retired, their pensions just enough to enable them to do nothing but talk freely, which is everything in a world of nothing.

    It’s not easy – doing nothing. Even contemplating nothing can be a nerve-racking business, fraught with anxiety. Consider, for example, what nothing is. Nothing is what is not. In the beginning – well, just before the beginning, all was nought, and from naught came all.

    And it’s not easy doing nothing responsibly. nān thing. And yet, if you make a practice of it, you are called a do nothing. But there is no such thing as nothing. Nature overkills. If the universe is infinite, and the universe is composed of things, there can be nothing within, and nothing without.

    Consider a bottle out of which you suck everything, leaving nothing, and you cap it, a bottle of nothing. Would it be dark in there? Like dark matter? For if everything is taken out, light too must be absent. If scarcity creates value, what could be more precious than nothing? And Didi and Gogo are its brokers.

  • Notifications

    • You fell asleep!
    • Spider on the ceiling!
    • You’ve a text!
    • Trash day ~
    • Light on in the basement or attic?
    • Today is not Saturday; try again.
    • Out of ice cream!
    • The universe is expanding!
    • You’ve a rejection (t;t)
    • Meow (~^~)
    Notifications
  • Dolling Down

    Some folks like to dress
    others down for a night
    on the town to be seen
    or to mingle in the pile

    to start a scene walk
    the prowl talk the chat
    say a prayer to the folks
    at the top of the stares

    go-go with the up-flow
    the effluvium of the
    affluent dressed
    in advertisements

    ads in fashion zines
    Fellinists puttin’ on
    the style the smile
    all the while they

    used to say it was
    a young folks way
    but we can put on
    the style any while

    doll it up or doll
    it down the grin
    showing couth
    or clown frown.

  • The Meta Phone Caper

    His metaPhone (Q 1) holstered on his belt and boasted
    like a pearl-handled spatula a fine tweezer feature purest
    in the kitchen but as a mycophagist on vacation he was slow
    to get the picture: he should have left the phone at home.

    She skiffed his phone like a stone across the stream
    and it smacked the face of a rapid rose to the lip
    and flipped onto the river rocks where it slipped
    like a fish and caught between silly and sorry mess

    while the water ebbed aback and swirled about him
    he dove again and again for the mother-of-pearl
    case for his applications and poisonous twins
    and recipies his personal algorithms and desserts

    calendars his files and messages tips and notes
    settings and cameras and his unfinished Joy of
    his meals his awards medals commendations
    his secret usernames passwords fundamental

    identities his capabilities capacities radio interface
    multi-mode banking signaling his data to Universe.
    Drown rather than lose his cell. They were supposed
    to be on vacation, but he was on his cell phone

    and while he was on his call stung was she
    by the venomous double away they swam
    leaving him and his phone in the hot sand
    where he smelled the world at his feet.

    Now we must close our caper of the nose
    before the plot thickens the dickens to play
    for a meal is saga but a poem mere snack
    one is shared the other kept under the hat.


  • Blog Post

    “Did you post something to your blog today?”

    “Did you post something to your blog today?”
    “I’m thinking of going horizontal.”
    “Really, and how was your day?”
    “Not bad. I escaped Twitter in the knick of time.”
    “What does “in the knick of time” mean, exactly?”
    “Sorry; comments off.”

  • Battle of the Bands