Tag: Bots

  • Missing Links (and a Bots Update)

    At the end of the movie version of “The Wizard of Oz,” Dorothy learns from the good witch Glinda that she can get back home simply by clicking together the heels of her ruby slippers. What if the link is broken? She must also express the wish to get back home. The link from Dorothy’s line, “There’s no place like home,” to its source, may for some viewers be broken. It was for this writer. It’s an old sentiment, no doubt linked even further away than this:

    “Mid pleasures and palaces though we may roam
    Be it ever so humble, there’s no place like home
    A charm from the skies seems to hallow us there
    Which seek thro’ the world, is ne’er met elsewhere
    Home! Home!
    Sweet, sweet home!
    There’s no place like home
    There’s no place like home!

    John Howard Payne, 1823, “Home, Sweet Home”

    Blog links over time get broken, but you don’t know the link is broken until you click on it, resulting in reader frustration. Sources linked to get deleted, moved, paywalled – mysteriously disintegrate into the unfortunate 404 message, that what you’re looking for is not, down this passage, to be found. I don’t mind seeing links, and, in fact, often snap at them like a foraging fish, though links can be distracting, even if, maybe especially if, links go missing, and following links, one into another, one often wonders if one will ever get back home. I use fewer links than I once did. I’ve noticed readers don’t usually click my links anyway, assuming the stats catch such nibbles.

    Speaking of stats, I would be remiss, as the rhetorical phrase goes, were I not to mention that the bots recently flooding the blog stats have disappeared. For the past six days running, the tidal wave of views has dropped, the tide receding to beachcombing depths. The statistical tinnitus, the buzzing and hissing of the bots, the grunion runs in high tides, has gone silent. Many thanks to what WordPress Happiness Wrangler figured out a solution.

    There are also, of course, regarding missing links, connections that never actually existed, the friend, for example, that proves to be a missing link in one’s social chain-link fence. But who wants to be part of a chain-link fence? Or maybe that old friend simply drifted down river and out to sea. Those days you fell asleep in Grammar, and now you can’t recite, define, and give examples of the parts of speech, missing links in your learning. But in any case, the parts of speech have changed, the interjection now a missing link, while the comma can signal a missing link or itself be a missing link. A parenthesis unenclosed, dangling fore or aft; the shortstop who dropped the double play ball; the letters Salty wrote Penina – all missing links. Or the letter returned

    “to sender, address unknown, no such number, no such zone.”

    (from the Elvis song “Return to Sender,” Scott and Blackwell, 1962)

    At the beginning of Faulkner’s novel “The Sound and the Fury,” Benjy watches the golfers “through the curling flower spaces.” The golf course was built on Benjy’s pasture, sold to afford a year at Harvard for his brother Quentin, and when Benjy hears the golfers call “Caddie!” it reminds him of his sister Caddy. The curling flower spaces are the twists and loops of steel wire, the links, repeating zigzag shapes, of the chain-link fence now bordering the remaining, diminished land and the golf course. Benjy’s non-linear memory is full of sensory, associative links. When a link is lost, as Caddy has been lost, he’s confused and disoriented, as we all are when what links us together and makes us whole is lost or broken.

    Missing Links
  • The Amazing Return of The Coming of the Toads!

    Surprise! Surprise! Surprise!
    Epizeuxis! Epizeuxis! Epizeuxis!
    “Hoopsa boyaboy hoopsa!
    Hoopsa boyaboy hoopsa!
    Hoopsa boyaboy hoopsa!”
    The Toads are back in town
    The Toads are back in town
    The Toads are back in town
    And they won’t be bot out!
    No, they won’t be bot out!
    And won’t be fooled again!

    An astonishing revival!
    An awesome comeback!
    Wysiwyg! Wysiwyg! Wysiwyg!

    Who’s this? What’s that?
    I didn’t know they’d gone!
    Yeah, meet the new toad,
    same as the old toad.
    But with a twist you say
    now the toads are everywhere –
    “Here Comes Everybody,”
    or Everytoad,
    Joyce’s streaming “riverrun”
    full of toads
    blinking from every hand
    on every riverrun road.

    Here Comes Everyone
    and every zero
    where everything gets down:
    h → 01101000
    e → 01100101
    l → 01101100
    l → 01101100
    o → 01101111
    ! → 00100001

  • The Coming of the Bots

    The Coming of the Bots

    The modish tech are not like you and me,
    Oblivious to the tittle-tattle bots that scan
    Indiscriminately our invisible windows,
    Performing the dirty work for all of us,
    You and me and even the next gen
    AI sprung from Pandora’s Valley, 
    Where we pass all understanding.

    Mayo’s poem “The Coming of the Toads” suggests a class irony that stems from the idea technology flattens the distance between elite and common people. The Toads are television sets in the 1950s. But do machines equalize society or disappear people? “The Coming of the Bots” poem, a clear “after Mayo” exercise, suggests a third possibility.

    Here’s the Mayo poem, from which The Coming of the Toads blog gets its name:

    The Coming of the Toads

    “The very rich are not like you and me,”
    Sad Fitzgerald said, who could not guess
    The coming of the vast and gleaming toads
    With precious heads which, at a button’s press,
    The flick of a switch, hop only to convey
    To you and me and even the very rich
    The perfect jewel of equality.

    E. L. Mayo. Summer Unbound and Other Poems, the University of Minnesota Press, 1958 (58-7929). Also, E. L. Mayo, Collected Poems. New Letters, University of Missouri – Kansas City. Volume 47, Nos. 2 & 3, Winter-Spring, 1980-81.

    Following my recent immersion in all things Bots, my friend Bill suggested “The Coming of the Bots” might make a good name for a new blog. I’ll leave that to Bill. We can’t see bots, but we can still watch TV. Readers interested in a longer discussion of the Mayo poem and other ideas for the Toads might find the About page of interest. Meantime, I think I’m done with bots for now. I’m going to try to focus on things I can see.

  • Bot Pictorial

  • Invasion of the Bot Snatchers

    It began with a surprising increase in traffic. September hit 3,000 views, October 4.5 thousand. In the 18 year history of the blog, the monthly average number of views has rarely touched 1,000, and November is already at 9,000, not quite half way through the month.

    “Something was happening to Becky Driscoll.”1

    The blog stats were being invaded by bots, scrapers and spam bots, almost all from one country, a crawling activity. Why? To collect data, copy text, or probe for vulnerabilities? The bots don’t actually read, click, or loiter. Stats counts them as views because they look like ordinary visitors loading pages, but there’s no real human engagement. Bot is short for robot, but today simply suggests a tirelessly, endlessly automated worker specialized in tasking repetitively without meaning.

    Along with the bots came an influx of followers. Simply put, Stats were absurdly inflated and the number of followers a misleading count. A bit of research found the bots posed no significant risk, but they are annoying and pretty much render Stats meaningless, or at least difficult and time consuming to understand. The spam followers featured a kind of spooky presence. What to do?

    Try Google Analytics, where it’s possible to filter out unwanted activity from Stats. Still in test mode, but not sure the filter’s working. But even if it works and excludes the bots, that simply means the bots are not being counted; it doesn’t stop the bots from crawling through the site, like neutrinos passing through your body. What else might hold back the bots?

    Disallow likes and comments, possible spam entry points. But without likes and comments, and given the unreliability of Stats, one has lost all meaningful information for determining engagement. So turn comments back on, but require users login to comment. Keep the site minimal. To this end, convert the Seedlet theme, which is minimal and was working fine but relied on the classic editor, to something newer that uses the block editor and possibly benefits from more attention and up-to-date programming. So converted to the Twenty Twenty-Five theme, which seems to be working well.

    The conversion of the old theme to the newer one was quick and easy. Learning curve not too steep, fun messing around with greater control and more options over things like fonts and text and being able to make changes specific to certain sections or applied to the whole site at once. Still playing around with options. The change did result in a few glitches that probably no one will notice, things that might have been fixed but were not, like the font size in the oldest posts, which still don’t conform to the current selection, or the position of photos in wrapped text, again mostly in older posts, but overall the site seems to be working as designed, effective in its minimalist intent, but if a real viewer sees something is looking unintentionally weird, maybe they’ll leave a comment?

    1. Jack Finney, “The Body Snatchers,” 1955, serialized in Colliers Weekly in November and December 1954. “The Invasion of the Body Snatchers” is the 1956 film based on Finney’s novel. ↩︎