Tag: birds

  • Poetry Conversation

    I’ve a poem today at “The Skeptic’s Kaddish,” in the section devoted to Poetry Partners, David Bogomolny’s idea to create conversations of poems with readers of his blog. Please check it out here: “conversant.”

    David, aka ben Alexander, is fond of traditional poetic forms, some fairly obscure. I’ve been more into free or self created forms, form follows function or content, that sort of thing, but in “conversant” there are repeating words, suggesting a kind of anaphora, or epanaphora, since the repetition is limited to one word, and loosely placed stanza to stanza. Thanks to David for sharing his blog and for his “sijo” to finish the conversation.

  • Still Bird

    Still from the sill the cat peers
    windowed in at the flightless
    bird atop the grape pergola.

    The cat flies through the night
    but this bird won’t spread wings
    not that we’ve ever seen.

    Patient the bird still sits until
    asked to fill out a form with pen
    questions on feathers and hymns

    and such: are you a sole
    bird? how high do you fly?
    are you a kind bird? what kind?

    In what direction points
    your beak when at odds
    with others you yearn

    for the sea and sing
    a single note of myst
    a story that obscures

    your spurt in a torment
    a torrent of thickel
    breathfull agog gast?

  • The Fall Hush

    Fall comes this time in hushes
    episodes of susurrus crawling
    warm through the body out
    the arms and hands tingling.

    The seasonal changes like
    picking up prescriptions
    from one of the Saints
    Saints Cosmas and Damian.

    A last clique of birds crush
    through the dry Dutch Iris
    patch flowers from Portugal
    and Spain not Netherlands

    and the dry stalks of the day
    lily not actually a lily lives
    longer than a day Spring
    through Fall and housing

    to butterflies and moths
    and ladybugs galore
    fall sufficiently orange
    and red yet cool.

    Sweaters come out
    the song sparrows
    the geese and loons
    over the yard sales.

    Along the streets we see
    clean-up and pick-ups
    pods and mod bods
    collecting for storage

    rakes in hand sifting Pacific
    Northwest where Spring
    is electric Fall acoustic
    clawing through the dust.

    Down south in Amador
    the Big Crush soon on
    grape harvest moon –
    If I were only a bird

    I would share a green carafe
    of red wine with my sisters
    and brothers once again
    in Fall looking back on.

  • The Ritual

    To writ in stone did
    those two crows
    alone appear each
    morn to renew
    our sacred vows.

    Fell from the commute
    of the daily murderous
    drive we awake with
    black oily coffee
    the dew steaming

    after the frost faced
    nest broken open
    hatching of bugs
    flies about they
    can’t be counted.

    Good mates in
    the end make
    good poems
    where hide
    birds in trees.

    What and where
    thru displacement
    here during the moon
    of words dressed
    in black feathers

    this crow types
    last night’s notes
    its mate never far
    emits the occasional
    caw clawed to signify

    I am here you there
    in and out of our
    respective shifting
    stances first you
    then me to gather.

  • Hard On Hearing

    What do we hear
    when we are hard
    on hearing

    sounds far and near
    sharp metallic birds
    hummingly trill

    the sorrow of the song
    sparrow’s syllables
    feed me

    and chick-a-dee-dee
    quaver and buzz
    flute whistles

    nautical vibrations
    ding dongs
    and foggy toots

    warnings and come-ons
    calls for help
    turn-ons and turn-offs.


  • A Flight of Birds

    ~          ~
      ~       ~
        ~   ~
          ~

    “A poem should be wordless   
    As the flight of birds.”

    Ars Poetica
    BY ARCHIBALD MACLEISH
  • It’s Its Own Thing

    On our walk last night, birds,
    low in the trees and on the ground,
    in the grass and all around,
    and it started to rain.

    Tomorrow, it may be sunny.
    It takes many shapes, this thing.
    Sometimes it’s an ear ringing,
    a particle of physics.

    It is not Paris or San Francisco,
    certainly not El Paso or Cairo.
    It comes and goes like wind,
    ubiquitous and protean.

    It’s not me, though
    I often have it, or not.
    That’s just it with it;
    you never know for certain.

    It is a professional, white-collared
    without capital, contained
    out of site.
    When it decides to rain,

    not a thing you can do about it,
    except dance or hustle home,
    from which you want
    to get away from it all.

  • Winter as a Long Vowel

    Snow and ice week beats desire, a cold game victory, the spoils spoiled despoiled as even the oils freeze on the street beneath freezing rain, snow, sleet, silver saxophone east three day blow, again with uncertainty freezing rain, then maybe greater snow, the icy home burial, the grave diacritical signal code, the skein stripe heated bellows, below freezing, icicle phase. He’s now showing kinesics of hypothermia, that fellow, up in the trees. Snow shapes blanket the trees, in the wood where wooed we Saint Valentine’s Day, nestling the soft sounds of love, the warmth of feathers. What birds want out, let them fly. Herein we stay with wise advice, waiting for Spring.

  • False Start

    Darts – birds hitting their marks. Feathers painted in plastic. Flickers, scrub-jays. Black gloss enameled crows. Black capped chickadees. Bushtits. The sorrowful hot guitar trill of a song sparrow. They voice the old songs, their beaks cracked, worn plectrums. A few sit still on a telephone wire while another takes a solo. To-wit. To-hoo. Clack, clack, clack.

  • The Apostrophe of Waiting

    You took away the source, but it was some graffiti, as I recall, but now in the grog of morning’s woke fog, I forget what it said, but one of the words was missing an apostrophe, crowds, I think, should have been crowd’s. The crowd is awaiting its apostrophe. So something is missing, the elemental that connects. That’s the meaning of apostrophe – an elision, but more, to turn, to turn away (from), even as things merge, as in a crowd. The apostrophe, like a stray bird, lands in the nest of merged things, its meld. The crowd is awaiting its possession, what it wants, its melt and weld. Also, the apostrophe that is an address to a missing person, one who has been turned away, or is turning away from another, as the crowd disperses. Waiting’s apostrophe. Waiting for the bird that has flown to return. As the crowd scatters, like birds, each one turning away from their neighbor, coming apart, each now a new apostrophe looking for a new gathering, a new mustering, a levy of birds, where they can drop into place to satisfy the whole. And today’s crowd of words is punctuated by the police, steel pot helmeted commas out to enforce the gravity of grammar, but they seem unable to put a stop to the run-on sentences.

  • Birdbrain, Bird-witted, and more on Thought

    Birdbrain, Bird-witted, and more on Thought

    Reflecting yesterday afternoon on my morning post, “On the Coast Starlight,” in which I suggested thought, if we are to try to compare it to anything, seems more bird-like than the train of thought first found in Thomas Hobbes’s 1651 “Leviathan,” I thought, to force thought onto a track where ideas are coupled one after another in forward motion toward some predetermined destination results from printing press technology, as McLuhan has shown. Thinking like a train does produce advantages, but the linear notion of thought may put us in a cage. Then it came to me that a reader might have commented that I seem birdbrained.

    Since I’ve had comments and likes off for recent posts, no such reader was able to suggest it, so I’ve come forward to suggest it myself. (Readers intent on comment, like, or dislike, btw, will find an email address at the bottom of the Toad’s About page.)

    But why we have come to disvalue flightiness to the extent we have, I’m not sure. Birdbrain, according to Google Ngram, is a word product of the second half of the 20th Century, while bird-witted has a more storied past, with interesting spikes of usage in both the 1720s and the 1820s.

    I readily agree that my brain seems to be more bird-like than train-like. But upon discussion with Susan, she informs me that only the hummingbird is able to fly backward. Trains, of course, can travel forward or backward, but not at the same time. Yes, but trains can’t leave the track (except to switch to another track), and two trains running in opposite directions on the same track – well, in a quantum train world, perhaps a train may indeed run forward and backward at the same time. In any case, the intelligence of birds is not in question. The question is whether to think like a bird offers the human any advantage over thinking like a train. But we are only speaking to the metaphors, of course, because of course trains don’t actually think at all, and people don’t and can’t and will never think like birds any more than they’ll be able to fly like a bird.

    It’s probable that in the era of trains, people did think more like trains than bird-like, while before artificial locomotion was mass produced, people thought more like other animals think. Now, people no doubt think more like automobiles. And we might update Hobbes to suggest an automobile of imagination.

    The poet Marianne Moore, in her poem “Bird-witted,” leaves no doubt that to think like a bird is to think like a human:

    parent darting down, nerved by what chills 
      the blood, and by hope rewarded -  
    of toil - since nothing fills 
      squeaking unfed 
    mouths, wages deadly combat, 
    and half kills 
        with bayonet beak and 
        cruel wings, the 
    intellectual cautious- 
    ly creeping cat.
    The last stanza of “Bird-witted,” from The Complete Poems of Marianne Moore, Penguin, 1982, p. 105-106.
    Photo: Susan and Chicken, Culver City, circa 1952.