Category: Poetry

  • As You Were

    any how should be as free as be
    without some conditional mood
    what is not what it is all about
    where from barely relevant and
    who remains surely a mystery

    when now knocks but no one is
    there not even a cat or a mouse
    a game afoot no chance of fame
    a bluebird flaps by like a blouse
    in a backyard clothesline breeze

    this is for those who comprehend
    without understanding they read
    to the end do not think themes
    building blocks or memes at all
    they are as they should be free






  • Scrolls and Falls Forever

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    Fall farther down
    Icarus’s labyrinth
    Beeswax breezeway
    Ocean view guitar

    London Philharmonic Orchestra
    bananayoshimoto2017
    (see translation)
    A cartoon
    You’re all caught up!

    Instant of the present moment
    Being at hand stare to stand
    Below the falls on the spot
    Alacritous accrual pre-prepared
    Your story then others in a row

    Someone’s studio
    An ad for earwax soap
    Sidewalk pastel painting
    A reel of artificial thought
    Cats lots of cats cast lots

    Brittle surf guitars
    Original audio
    A taste of honey
    Retro television sets
    Tricks and trades

    Someone’s yellow kitchen
    Distant dwarf planet telescoped
    A red fox in a green tree
    Goats in a weedy backyard
    An ad for a pup tent

    A string of Albert Camus quotes
    Architectural roller coaster disasters
    Boats swamped by stupendous waves
    Plastic frogs in tchotchke collection
    Paperback books swathed in scarves

    You’ve seen all new posts from the last 3
    Millenniums
    How to be happy advice
    An advertisement
    Newel posts

    Shadow of a flamingo over lake water
    Zinnias dried straw flowers
    How to make peach pancakes
    A hippo eating a pumpkin
    Original audio played on spoons

    Scrolling stones
    Giant Hercules beetle
    Video clips of once famous people
    A baseball triple play
    A ping pong game

    Fall colors
    Orange tomatoes on a blue plate
    Benches covered by dry grass
    Palm trees at Refugio
    Swings in a park

    Pink orange sunsets over Santa Monica Bay
    Moons rising down side streets and alleys
    Bicycles parked near improvised food carts
    A 1956 Chevrolet Bel Air turquoise and white
    A park full of empty green tennis courts

    Strangers on vacations in faraway lands
    Children walking in the Louvre in Paris
    Newsreel from a war zone 60’s hippies
    dressed in flowers Cell phone battery
    dangerously low or this might never end

  • Nose

    Where the nose goes
    nobody knows
    its downslope bent
    uncurls merriment

    After a bout of virus
    it won’t awake
    the nose laments all
    smells of peppermint

    At night it runs around
    amid roses and fishes
    lemons and cloves but
    the schnoz has anosmia

    In the morning it sleeps
    like a cat in a ring
    if it can’t smell
    maybe it can sing

    Thar she blows
    as big as a whale
    in a hurricane gale
    our well placed nose

    If this short tale
    got up your nose
    tell me please
    how’s it smell?

    Nose Rings





  • a raft

    my friend sent me a raft
    i guess he thought i was
    drowning and about that
    he might have been right

    but we’re not going there
    yet until we just give up
    underwear under worn
    neatly stacked in closet

    the books i was going
    to read but just gave up
    perfect bound a few
    embroidered sewn

    the poem is a scroll
    down and down and
    under we go silver
    twist threaded flax

    and the songs i was
    going to sing and play
    as guitar sounds waft
    up up up and away

    this raft i’m now on
    drifts slowly by your
    jolly yawls i am not
    not drowning refrain

    the waves i almost
    caught but tired
    of paddling for those
    and this i lost at sea

    my friend gave me a raft
    i guess he thinks I am
    drowning and about this
    he may be abeam

  • Poetry Conversation

    I’ve a poem today at “The Skeptic’s Kaddish,” in the section devoted to Poetry Partners, David Bogomolny’s idea to create conversations of poems with readers of his blog. Please check it out here: “conversant.”

    David, aka ben Alexander, is fond of traditional poetic forms, some fairly obscure. I’ve been more into free or self created forms, form follows function or content, that sort of thing, but in “conversant” there are repeating words, suggesting a kind of anaphora, or epanaphora, since the repetition is limited to one word, and loosely placed stanza to stanza. Thanks to David for sharing his blog and for his “sijo” to finish the conversation.

  • Behind the Lines

    The good poet Joe
    unflagging foot
    soldier carries on
    slogs thru tradition

    His critic fires at will
    who never took a hill
    a couple of readers
    attend his last burial

    Deep in darkness
    you forget stuff
    your steel pot
    what you have and don’t

    your action figure nightly
    decommissioned
    on your chest no lines
    no bells no whistles

    Equipped with orders
    and a compass but no
    point to it all you’re lost
    and at mail call

    at parade rest or at ease
    advice comments you know
    anyone can dress a uniform
    you’re just an average Joe

  • Someone Told Me

    I know who of course told you
    your poems of course will not
    change the course of the world.

    Yes yes yes of course
    your poems won’t change
    the world’s course.

    The syllabus for the world
    of course contains no poems
    no flowers in tender vases.

    Of course rivers do change
    course and the palms
    at Refugio into the ocean fall.

    Likewise mountains blow
    away, rain forests burn,
    night’s hollow sirens curse.

    And of course it goes without
    saying but like good poets
    we’ll say it twice anyway:

    We didn’t write anything
    with purpose to change
    the lines of global affairs

    or even local trists and by that
    we mean right here now of course
    in this sadly redundant poem

    written while sitting out
    in the morning cool air
    when poems part ways

    part of the world’s course
    as off course as all things
    of course as if a course exists.

    But here comes the sun
    today the temp 101 to be
    I say of course

    It’s still summer of course
    and we’re on course
    to break another course.

    Palm Trees at Refugio

    Note: My title, “Someone Told Me,” is the first line from a poem by Patrizia Cavalli. It’s from her first book, “My Poems Won’t Change the World” (1974). Her poem is untitled and only six lines long. I have it in a copy of her selected poems edited by Gini Alhadeff (FS&G 2013), also titled “My Poems Won’t Change the World.”

  • At Last

    at last the day done
    had a cow shut in
    the pig put in the pen
    in the rain
    the coop closed
    to the fox you can hear
    the icebox hum
    what is yours is asleep
    at last but not to dream
    must get up again

  • this is just to say too; or, Banana Chair Sunrise

    there’s more to say today
    than this is just to say
    you ate my sapid plums
    and left a snarky note

    the icebox floor is full
    of such stuff like flowers
    by the sea and chickens
    by the worn wheelbarrow

    the tupperware bowl empty
    of fruit now holds hearts
    still frozen stiff and hard
    as pebbles goose gizzards

    washed in the gutter
    of the sink puddles
    but this is all just to say
    Please dump the trash today

    i’ll be in my garden chair
    paper and banana coffee
    watching the aging sunrise
    aghast at all your ghosts

  • An Audience for Poetry

    “Those things that have the name poetry, do you understand me?”

    Some there are can’t stomach poetry – unpalatable the pretentious sugar and fat out of which poetry is whipped. But when we use the word poetry, what are we talking about? If we say we like music, what kind of music – polka, hip hop, electronica, diva pop? We might like some forms of music, dislike others, but rarely do we hear someone spout, “I disrelish music!” Why such animosity when it comes to poetry? Maybe the various forms of poetry are not as obvious to the common reader as the forms of music. Some music we enjoy, if not most, but do we get any kind of amusement, let alone rapture, from poetry? Hearing poetry, the curling monotones, the false mouthed sounds, is like eating raw oysters or anchovies, moldy cheese, mushrooms. But we might say we dislike opera, though we’ve never attended a live opera, while we’ve been unwittingly moved dozens of times by operatic scores in films; and our overstated displeasure with opera does not inhibit us from saying we love music. Opera, it might be argued, by the way, might be the most pretentious form of music, and financially, like poetry, has great difficulty digesting its own costs. But anyone can scribble a poem on the ubiquitous napkin; it takes a pro to echo “Mi Chiamano Mimi” without disturbing a neighbor’s evening meal. We might even try our hand at a few poems, but only to poke mullock, feeling pretentious otherwise, but to accuse one of pretension is a kind of conservatism, a keeping to class boundaries. All should feel free to whip up their own cupcake.

    “Alone in a little white room, I see rooftops and sky.”

    Others love poetry, but not all poetry, and in deference to the pros write very few poems. Poems must be full of light and air, like angel food cake. Here the word poetry refers to a small corner cafe with only four tables within and outside one table under an umbrella hung over the sidewalk. The sidewalk ends in a barrier curb of cement chipped from the days when horse drawn milk and ice carts with steel rim wheels rounded too close, and a rusted ball topped bollard sits on the corner – the skaters use it as a roundabout. Above the cafe, seven floors of once cold water walk-up bedsits, now each floor converted to a single luxury apartment. From the penthouse views of the river over rooftops, the sun through the morning bedroom balcony, the sun through the evening dining room floor to ceiling windows, the sun over the private patio roof. The penthouse throughout the day fills with enough light to power a casino, but there are no neighbors, the appendage sloping up and away into the awe-inspiring sky. But poems are born on the sidewalk, the margins of the city, and hardly any wind up in the sumptuous collection on the penthouse coffee table, but maybe that is simply a reflection of so much that has of course been lost and continues to disappear, like the neighbor who came unexpectedly to bother you for a cup of flour and stayed for a small glass of creme de menthe.

    “That gentle perfume of a flower!”

    Still others are indifferent to poetry. It remains a mystery, yet it’s used in so many places: the names of cars, greeting cards, commercials and advertisements, songs of all kinds. But naming cars is a silly practice, greeting cards are cloying, and many listeners prefer instrumentals. And you might think twice about what flowers you grow if you happen to be allergic to bee stings. And people don’t like to be fooled or to be made fools of, the province of much poetry, since the poet often has something to say that can only be said indirectly. Still, artificial flowers are nice, and can even be made to waft odor with a spray of floral scent. Flowers appear in spring, often in the most unlikely places – gutters, vacant lots, desert blooms; poems appear in spring too, in similar places – napkins, ice box notes, Easter egg wraps. According to a 2023 report by the National Endowment for the Arts, “Nearly 12 percent of U.S. adults read poetry or listened to it via media.” Doesn’t sound like many, but that’s roughly 30 million people reading poetry. I don’t know many of them. And it sounds like participation is on the decline:

    “For starters, 18-to-24-year-olds, who, in 2017, exhibited the highest rate of poetry-reading of all age groups, lost half their share of the readership in 2022. That year, 9.0 percent read poetry, compared with 17.5 percent five years earlier….The other age group that experienced a major decline in poetry-reading, from 2017 to 2022, consisted of the nation’s oldest adults. The reading rate of those 75 years of age and older was 11.0 percent in 2017, and 7.1 percent in 2022.”

    Survey, Size of Poetry’s Audience, Apr 6 2023, Retrieved 3 Apr 2024, National Endowment for the Arts.

    “Alone, I eat. I miss mass, but I pray. Alone in my little white bedroom.”

    Poetry offers community but also forms into cliques, coteries, cultish fads, but also for the lonely may remedy the lack of company. Secular poetry has offered some a substitute for missed religious passion, while the Bible is full of poetry, the Psalms, for example. Yet poetry can lead us astray. It is part of the tree, but it is not the tree. A nest built in the tree. We fall from the nest, and in our experience or reflection or just old age come to reject poetry, and the nest is empty, but we are free.

  • My Artificial Intelligence Poem

    A British literary lad I know sent me a poem purportedly written by an artificial intelligence machine. He (the lad) asked the AI to “write a short poem in the style of Joe Linker.” The AI response contains a significant change to that writing prompt: “Certainly! Here’s a short poem inspired by the style of Joe Linker.” Stop the presses: “in the style” and “inspired by the style” are not the same prompt.

    In any case, as these things go, I say purportedly to have been written by AI because for all I know the Brit lit lad wrote it himself. But whoever wrote it, the poem is a masterful piece of literary criticism in action. It appears to have been composed by MS Copilot, which, according to Wiki, “is a chatbot developed by Microsoft and launched on February 7, 2023. Based on a large language model, it is able to cite sources, create poems, and write songs.” Whoopee!

    Before I reveal the poem, I’ll share a few responsive or reactive notes, which I sent to my Brit copilot this morning (before coffee): I find the poem encouraging for its critical honesty, because if true, what it says is that I should give up writing poetry – it’s the best criticism ever. But is it true? The dawn is not quiet. Those cars don’t hum, they snort and scream, honk and squeal. Pigs to market. No, wait – that’s my tinnitus acting up again. And the veins are pockmarked with potholes (but veins as metaphor for streets? I would never). There are however three w’s in the first stanza. The World Wide Web. No escape. The sun doesn’t peek in Portland. It either remains hidden or flouts itself in the raw. The third stanza might be me. I often find myself waltzing in the wind. Beats blowing in the wind. Ah, but I am too in search of the grand metaphor! Especially if it’s a baby grand! But whenever the universe comes up, I’m reminded of Annie Hall, where Alvy’s mom tells him: “What’s the universe got to do with it? You’re here, in Brooklyn!”

    Anyway, here’s the artificial intelligence poem supposedly written in (inspired by) my style. I might add I rarely write poetry in the first person, and when I do, I usually try to persuade the reader the narrator is not to be confused with the author. I’ve made that argument till I’m blue in the gills, but I know readers who continue to disregard the advice. Finally, so that there’s no misunderstanding, this AI poem is very poorly written. It’s trite, self-centered (narcissistic), abstract with almost no reference to any of the five senses which might have brought it to life, cliched – words like stardust, pondering existence, fragility – have no place in poetry. Ah, gads! Maybe it is in my style!