Notes AWP Close: The 8th Day

Wandering post AWP19 Portland town yesterday with entrepreneurial intrepid impresario Berfrois editor at large Russell Bennetts and his Midwestern sidekick Simon Calder, I had occasion to consider Hemingway’s “The Sun Also Rises” in a contemporary context, where all the characters have cell phones, except one, who has lost theirs. But I can’t decide which Hemingway characterContinue reading “Notes AWP Close: The 8th Day”

Notes: The One They Call the Seventh Poet

They look like anyone, these poets and writers, intellectuals and artists, editors and publishers – filling and milling about the Oregon Convention Center for AWP19, sauntering though the book fair and scurrying off to panels and readings and private receptions. The fact of a book must say something about their ability to write, to argueContinue reading “Notes: The One They Call the Seventh Poet”

Notes ‘If 6 Was 9’: The Psychogeography of the Book Fair

I arrived a bit early for my scheduled stint to help out at the Berfrois table at AWP19, so I wandered through a few aisles of tables set up for the book fair. At each table, a couple of usually amiable greeters happily and professionally described the occasion or purpose of their press or otherwiseContinue reading “Notes ‘If 6 Was 9’: The Psychogeography of the Book Fair”

Fourth Notes: AWP19, Berfrois10

That title isn’t meant to sound like a sports score. The 19th annual Association of Writers and Writing Programs convention (AWP19) coincides with the 10th anniversary of the online site Berfrois, celebrated these last ten years for its “Literature, Ideas, and Tea.” Berfrois will be at the AWP convention with copies of its recently publishedContinue reading “Fourth Notes: AWP19, Berfrois10”

Third Notes: berfrois in the Pacific Northwest

Writing grants access. To what? First, to one’s own thoughts, to one’s own experience. I wrote this; therefore, it happened to me, at least the writing of it did. So I have access to that, to the writing, another experience of the experience, another way to experience the experience. Are you experienced? Narrative becomes mirror,Continue reading “Third Notes: berfrois in the Pacific Northwest”

Second Notes on “Berfrois the Book,” “Queen Mob’s Teahouse: Teh Book,” and AWP19: Lonely, the Book

One day, almost ten years ago, down at the Bipartisan Café, in Montavilla, reading on my laptop, I was gobsmacked to find someone had published on their site a piece I’d recently written for my blog, The Coming of the Toads. At the time, I’d not yet heard of Berfrois or its editor Russell Bennetts.Continue reading “Second Notes on “Berfrois the Book,” “Queen Mob’s Teahouse: Teh Book,” and AWP19: Lonely, the Book”

First Notes on the publication of “Berfrois the Book” and “Queen Mob’s Teahouse: Teh Book”

The annual Association of Writers and Writing Programs (AWP) convention is being held this coming week in my home town of Portland, Oregon. I’ll try to post daily through the week my local observations of the main event and its various outlier happenings. One of those happenings is the concurrent publication of “Befrois the Book”Continue reading “First Notes on the publication of “Berfrois the Book” and “Queen Mob’s Teahouse: Teh Book””

Poetics and Politics: Notes on “Poets for Corbyn,” a Berfrois e-Chapbook

Is poetry a sturdy platform for political action? Aren’t poets the ones following rabbits down holes? Jumping into ponds to hug moons? Talking blather and twittering sentiments to one another across an inky night? Politicians often twist tongues, glossolalia filling their cheeks, but what they speak is not usually considered poetry. “Poets for Corbyn,” another e-chapbookContinue reading “Poetics and Politics: Notes on “Poets for Corbyn,” a Berfrois e-Chapbook”

Happy Bloomsday Interview at Queen Mob’s Tea House

Russell Bennetts, editor extraordinaire (Berfrois, Queen Mob’s Tea House), interviews the Prince of the Toads for his popular series “Poets Online Talking About Coffee.” Head on over for a cup and check it out. Below: “The Dance Lesson,” 32 x 64, oil paint and oil pastel over acrylic:

Notes on the Difficulty of Reading a New Poem

What happens when we encounter a new poem? New poems can seem impenetrable. But maybe the idea is not to penetrate. If the poem is new, the reading experience is also new, unfamiliar, foreign to our eyes and ears, to our sensibilities. What happens when we read a poem? In the darkroom, the developer slidesContinue reading “Notes on the Difficulty of Reading a New Poem”