“jazzskin” is an old, handmade chapbook (1973, 17 pages – click on photos):
The “poetry occurs” idea is a riff off John Cage, whose book “Silence” (1961) begins with “The Future of Music: Credo”: “Wherever we are,” Cage says, “what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating.” In his essay “Experimental Music,” Cage underscores the idea that noise is everywhere and attempts to control it create other hazards, but, he says, “One need not fear about the future of music. But this fearlessness only follows if, at the parting of the ways, where it is realized that sounds occur whether intended or not, one turns in the direction of those he does not intend.” When I was working on “jazzskin,” I felt, as I do now, the same about poetry that Cage felt about music. But Cage was not a jazz fan. He apparently thought jazz was about having a conversation, for which he preferred words.