Why Read Poetry?

Much of modern poetry is unintelligible or seems incoherent. That’s not modern poetry’s problem though. The problem with modern poetry is the absence of a general interest reader of poetry. Cautious readers avoid the crafted, arched bridges called poems precariously balanced over esoteric estuaries. But was there ever a general interest reader of poetry? Well,Continue reading “Why Read Poetry?”

Where Dylan Thomas meets Atul Gawande; or, Let Go Gently, for Here Comes the Night

If Atul Gawande had been the editor for Dylan Thomas’s poem “Do Not Go Gentle Into That Good Night,” we might have gotten something like, “Let Go Gently, for Here Comes the Night,” the long and “The long, the long and lonely night night, night, night, night, night, night…” as Van Morrison sang with Them,Continue reading “Where Dylan Thomas meets Atul Gawande; or, Let Go Gently, for Here Comes the Night”

Leslie Fiedler and the Either/Or Fallacy of Poetic Criticism

Perhaps there are only two kinds of poetry, still only two kinds of poems. Dichotomy makes for easy argument by eliminating all other possible alternatives. We often hear there are two schools of thought, and any ambiguity is quickly brushed away. The one poetry might be represented by T. S. Eliot, and is characterized byContinue reading “Leslie Fiedler and the Either/Or Fallacy of Poetic Criticism”