Notes on “Pure and Faultless Elation Emerging From Hiding”

Pure and Faultless Elation Emerging From Hiding, by Lim Lee Ching, with Drawings by Britta Noresten. Introduction by Neil Murphy and Afterword by Jeremy Fernando. Poems Sequenced by Mary Ann Lim. Layout by Yanyun Chen. Paperback edition first published 2017 by Delere Press, Singapore.   In a December, 2014 interview with Sara Lau for Obscured,…

Gerard Reve: “The Evenings”

Day job workers share in common evenings. Time off, free time, leisure time, time-wasting, occupy the evenings. What to do? The question often haunts office and factory workers (workers clutching daytimer calendars are bothered by another version of the question). The evening absorbs the question of what to do like a fountain swallows wish thrown…

Edna O’Brien’s “The Country Girls”

Edna O’Brien’s “The Country Girls” is the first in the trilogy telling the life and times of Kate and Baba, two girlfriends from country situations who get to the city trying to move away from the tangled mores of Irish family, church, education, and politics of the mid twentieth century. The second in the trilogy…

Alma Lolloon – Work in Progress

“Alma Lolloon” is the title of my next novel, which is in the final proofreading and editing stages. I’m using the same publishing platform (CreateSpace) as I used for “Penina’s Letters” and “Coconut Oil,” but I’ve decided to roll chapter one onto the Toads blog to introduce the new work and to spark interest. I…

“Saltwort” Book Launch!

“Saltwort” is selected poetical writings by Joe Linker, author of “Penina’s Letters,” “Coconut Oil,” and “Scamble and Cramble: Two Hep Cats.” Forward by Salvador Persequi. Includes 109 pieces. US readers may participate in a paperback giveaway: Winner: Every eligible entry has 1 in 4 chance to win, up to 4 winners. Requirements for participation: 18+…

Read and Nap

Scamble and Cramble Two Hep Cats and Other Tall Tales

Deconstruction & Design

In the process of deconstruction we discover new ideas. We need not start with a design in hand. We don’t necessarily need a plan. Unless, of course, there is some destination we are particularly interested in, we need to get to. If that’s the case, we’ll usually find ourselves on the wrong path, wrong way…

Cover Design

Working on a cover for a forthcoming children’s book: