Another book influencing its predecessors is Elaine Dundy’s The Dud Avocado, originally published in 1958 and reissued in 2007 by NYRB, which includes an afterword written by Dundy in 2006. The Dud Avocado follows the period young Sally Gorce chooses an expat existence in Paris over college, expenses not exactly all paid for by a concerned uncle, so Sally’s survival, such as it is, depends also on chance, her wit, new acquaintances, and part time gigs, including as an actress in a small theatre. The precursors include the Hemingway of The Sun Also Rises, Scott Fitzgerald and Lost Generation company, and other coming of age in Paris tall or short tales.
The characteristics of Dundy’s book include wit, sarcasm and satire, humor. As an example, consider this section which follows the thoughts of a wealthier (than Sally) English woman:
“We sat at the cafe until lunch time. A couple, two English people, sat down at the table next to ours just in time to see the Bullfighter and all his pals get into a shiny lavender Cadillac and drive off in a blaze of flashing chrome. The woman, a large Junoesque creature with a sensationally unhappy expression on her face, had slapped on an enormous pair of sunglasses as he came out and had been studying him intently. Suddenly she turned to her companion. ‘Well, there’s another dream gone down the drain – he must be every bit as high as my waist,’ she announced sullenly. ‘He really looks such a boring little man, doesn’t he, so utterly clueless in these revolting American clothes, I can’t think why we’re going to do this picture. Basil wants us all to go down to San Sebastian to watch him on Sunday but I don’t think I’ll bother.'”p. 178-179 NRYB 2007 edition
The above excerpt could have been a short story written by Hemingway had Ernest stayed in Paris and become a French theorist in the 1950’s instead of continuing to take himself seriously and move his feast to, I don’t know, Idaho. Anyway, Sally continues listening to the remarkably disenchanted woman as she complains about the noise on her morning plane ride into Paris:
“‘I suppose it simply doesn’t occur to some people that one might be trying to recover from the night before.’ She took a large gulp of her drink. ‘I’d quite like to see the bullfight though, wouldn’t you? I do adore cruelty. Everybody back home’s too dreary, going on and on about the horses. Papa’s forbidden me across the threshold if I go to one. Can you believe it? That’s an added incentive.'”179
During her stay, Sally loses, or has stolen, or both, her passport, and the plot thickens as a result, and one might recall Casablanca and the difficulty of obtaining transit papers, which, today, might include letters from one’s doctor certifying Covid free status before boarding, and again, one presumes, after landing?
Ah, the vicarious joys of reading, where one need not wear a mask or worry about the breath of one’s travel mates or show documents prior to entry. Speaking of the joys of reading, enclosed please find a pic from my recent Fall reading stack. I continue to be drawn to women writers of the mid 20th Century, most recently having discovered Elizabeth Bowen and Elizabeth Taylor. Natalia Ginzburg’s writing in style and substance remains untouchable, essays and fiction and her mix of the two. The Muriel Barbery I came across in a briefly mentioned review in The New Yorker and having enjoyed The Elegance of the Hedgehog bought it and liked it enough to send a copy to one of my sisters, the one who had recommended Hedgehog to me. What goes around comes around. Friedrich Reck’s Diary of a Man in Despair, in the stack, remains unread. I bought it some time ago, before the general despair now enveloping us all. The Cello Suites I’ve already mentioned – a gift from one of my other sisters. I was going to write up a post briefly mentioning each of the books finished this Fall. Maybe I just did. Anyway, if you find yourself on the way to Paris one of these days, you might consider taking along a copy of Elaine Dundy’s The Dud Avocado. And keep an eye on your passport.