Where no one knows your real name where indeed you have no name but any number of names but no number but you wear your identification it shows is shown in the red dust around your eyes and there’s a glimmer suggests you’re still alive and at the corners of your lips the moisture of bird feathers and your hands are calloused black and blue and your clothes are stained with oil and grease and chalk and shavings of wood, metal, and paint. This pub plays no music, which you wouldn’t be able to hear clearly anyway. No darts. No pool table. No television sets. No chess board, no backgammon, not even caroms. No playing cards. There’s coffee twenty-four hours a day for those just getting going, first cup free, the swing shift, the night shifts, at the factory, in the warehouse. The oil fields behind the houses. The docks on the bay. Molly brings you your pint, with a little cup of salted peanuts in the shell on the house. Will Molly please text home for you, a bit late, might stay for a second pint tonight, being’s it’s Saturday night, and you’re walking, or was when you got here.
Published by Joe Linker
"The Coming of the Toads" by Joe Linker is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, and Copyright 2007-2021 Joe Linker - author of "Penina's Letters," "Coconut Oil," "Scamble and Cramble: Two Hep Cats and Other Tall Tales," "Saltwort," "Alma Lolloon," and "end tatters." View all posts by Joe Linker