Organ Tics

Universe alive meaning what, Joyce talking again, a twitch of his head my way as I came in late to Workshop 3, the others already seated, each now having found their preferred place, on the couch, or in one of the overstuffed chairs, the easier to remember names, Soto said, the personality of the chair, the seat revealing the person. Joyce seemed to prefer the straight hardback chair in the corner by the bookcase. From there he could look out the window down the street or pay attention to the circle of writers working on their craft, honing their craft. Honing, to hone, was a word I noticed came up frequently in Workshop, like robust, another one of Workshop’s key words. And craft. I hadn’t realized what a craft writing could be. A robust honing of craft, I thought. A honing of robust craft. A craft of robust honing. Words have meaning, Joyce, excited now, head tics my way impatient I’ve not sat down yet, but where had I put my pocket notebook. Don’t tell me I forgot it. Words have meaning, Joyce said, stretching the long e as far as it could go. You people don’t seem to feel that, and a deep quiet settled, writers staring at the floor, backs rigid. To be part of a people, even if mistaken, surely something to that, I thought, stopped fumbling around looking for my notebook and sat down, now part of the silence. Then someone’s stomach gurgled, a rumbling burble audible around the room. Oh, my, Penelope said, patting her hand on her tummy, organics, and everyone laughed. I have some apple, Virginia said, did you not eat before class? I haven’t eaten all day, Penelope said. I’m on a roll. Quiet again, as we seemed to contemplate the meaning of Penelope’s fast. Then Matilda with a suppressed burp, and she begged Workshop’s pardon. Then came a big bang. It wasn’t me. Was it a mistake? Excuse me, Sam said, be right back, and he got up and left the room, Joyce staring out the window at a shout in the street. The minutes ticked quietly and reliably by, the room now a vacuum, the writers floating out of their chairs, weightless, bumping into one another, like pool balls, bouncing off the cushions, changing trajectory. Nothing dead, Sam said, reclaiming his seat. Inert, perhaps, but the organ, so persistent, shells another life. Inaction impossible, Sam continued, something in his voice a simple invitation to listen. The whole, Sam said, this thing, this idea, near and far, all organ, all organic, sprawling sleeping energy here and there, nothing inorganic possible, all alive, on the move, on the make, daresay, and of dark matter, we have sleep, as one life spills into another.

“Organ Tics” is episode 79 of Inventories, a Novel in Progress in Serial Format at The Coming of the Toads.

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Joe Linker

"The Coming of the Toads" by Joe Linker is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, and Copyright 2007-2020 Joe Linker - author of "Penina's Letters," "Coconut Oil," "Scamble and Cramble: Two Hep Cats and Other Tall Tales," "Saltwort," "Alma Lolloon," and "end tatters."