Call Pinch

Of course I had tried Sylvie’s cell, but the signal was dead, or least very ill. I was staying now in a rooming house in a small town on the outskirts of a bigger town, up north, in vineland, a couple of hours out of San Francisco, friendly place, if you didn’t ask too many questions, like where people came from or where they lived or what they did for a living or where they might be on their way to, if you didn’t ask any questions at all. I took a job washing dishes in a local tavern, three hours a day, an hour after the breakfast rush, an hour after the lunch rush, and an hour after the dinner rush, not that any of the rushes was much to write about, short of a filler in the local weekly (Lots of dishes to wash yesterday at Taberna’s Tavern said local dish washer Glaucus, hired to handle the meal rushes during the annual month-long Taberna Jazz-Grass Fest), and one night, after the dinner dishes, sitting out on Taberna’s western style wooden sidewalk, raised a couple of feet above street level, drinking a beer and watching the passersby, tourists mostly, and flipping or flicking through the pages of the little pocket notebook Sylvie had given me for my writing but in which I’d yet to write a single word, a habit I’d picked up, the flipping of the empty pages, I espied something written, a scribble that passed by in a flash, and I had to thumb slowly through the pages again to find it. Call Pinch, it said, in Sylvie’s handwriting. How had I missed it? When did she write it? What did it mean? Who or what or where was Pinch?

“Call Pinch” is episode 73 of Inventories, a Novel in Progress in Serial Format at The Coming of the Toads.

Published by

Joe Linker

"The Coming of the Toads" by Joe Linker is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, and Copyright 2007-2020 Joe Linker - author of "Penina's Letters," "Coconut Oil," "Scamble and Cramble: Two Hep Cats and Other Tall Tales," "Saltwort," "Alma Lolloon," and "end tatters."